Dr. Malachi made “siblings” Jin and Delilah of clockwork and spare parts—human and otherwise. They have one purpose: to assassinate Queen Rowena so Dr. Malachi can profit from the war that will surely follow. When Jin discovers Dr. Malachi’s plans, he runs away, but to his despair he must leave Delilah behind.

Life in the outside world is terrifying. Jin has never been away from his creator’s estate and can barely pass for human. And now Dr. Malachi’s other creations—mechanical men and zombies—have picked up his trail. On the run, Jin crashes through young mechanic Molly Feldman’s roof; she sees the humanity beneath the metal and decides to hide him, but soon Malachi’s creatures are after her, too.

If Jin doesn’t rescue his “sister” Delilah, she’ll be forced to assassinate the Queen or die in the attempt. He needs Molly’s help, but if she finds out he was built for the same purpose, it may be the end for Delilah and Jin both.

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THREE OF ELLROY’S MOST COMPELLING NOVELS FEATURING DETECTIVE SERGEANT LLOYD HOPKINS IN ONE VOLUME. BLOOD ON THE MOON: 20 random killings of women are unconnected in police files. But Det. Sgt. Lloyd Hopkins sees a pattern. As he is drawn to the murderer, the two men face a confrontation pitting icy intelligence and white-heated madness. . . BECAUSE THE NIGHT: Jacob Herzog, hero cop, has disappeared. A multiple murder committed with a pre-Civil War revolver remains unsolved. Are the two cases interlinked? As Det. Sgt. Lloyd Hopkins pieces the puzzle together he discovers the darker threat of John Haviland, a psychiatrist whose pleasure comes from the manipulation of the weak and lonely. SUICIDE HILL: Duane Rice leaves jail with good news and bad news: Two adulterous bank managers are ripe for squeezing, but Vandy, who he is obsessed with making a rock star, has disappeared. An orgy of violence erupts as Duane’s partner goes beserk and Duane settles scores with knife and bullet. Leading the manhunt Sgt. Lloyd Hopkins stumbles on a horrifying conspiracy of corruption and betrayal- among his own colleagues.THREE OF ELLROY’S MOST COMPELLING NOVELS FEATURING DETECTIVE SERGEANT LLOYD HOPKINS IN ONE VOLUME. BLOOD ON THE MOON: 20 random killings of women are unconnected in police files. But Det. Sgt. Lloyd Hopkins sees a pattern. As he is drawn to the murderer, the two men face a confrontation pitting icy intelligence and white-heated madness. . . BECAUSE THE NIGHT: Jacob Herzog, hero cop, has disappeared. A multiple murder committed with a pre-Civil War revolver remains unsolved. Are the two cases interlinked? As Det. Sgt. Lloyd Hopkins pieces the puzzle together he discovers the darker threat of John Haviland, a psychiatrist whose pleasure comes from the manipulation of the weak and lonely. SUICIDE HILL: Duane Rice leaves jail with good news and bad news: Two adulterous bank managers are ripe for squeezing, but Vandy, who he is obsessed with making a rock star, has disappeared. An orgy of violence erupts as Duane’s partner goes beserk and Duane settles scores with knife and bullet. Leading the manhunt Sgt. Lloyd Hopkins stumbles on a horrifying conspiracy of corruption and betrayal- among his own colleagues.

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In a way, Scarlet Street is a remake. It’s taken from a French novel, La Chienne (literally, “The Bitch”) that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang’s version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang’s previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett’s streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold.

The Stranger, according to Orson Welles, “is the worst of my films. There is nothing of me in that picture”. But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he’s living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn’t wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive–and if there was one thing Welles could never play, it was unobtrusive. Still, the film’s far from a write-off. Welles’ eye for stunning visuals rarely deserted him and, aided by Russell Metty’s skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever.

On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been “fully restored and digitally remastered”, but you’d never guess. –Philip Kemp

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A Lovecraftian tale of mystery and horror set in a steam punk-inspired world, still reeling from a devastating World War between the German and British Empires against Soviet Russia, edges closer and closer to apocalypse at the hands of their own creations, orchestrated by the sinister Father Dietrich.

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Vault 101 – Jewel of the Wastes. For 200 years, Vault 101 has faithfully served the surviving residents of Washington DC and its environs, now known as the Capital Wasteland. Though the global atomic war of 2077 left the US all but destroyed, the residents of Vault 101 enjoy a life free from the constant stress of the outside world. Giant Insects, Raiders, Slavers, and yes, even Super Mutants are all no match for superior Vault-Tec engineering. Yet one fateful morning, you awake to find that your father has defied the Overseer and left the comfort and security afforded by Vault 101 for reasons unknown. Leaving the only home you’ve ever known, you emerge from the Vault into the harsh Wasteland sun to search for your father, and the truth.
 

• Includes Fallout 3 and five expansion packs: Operation: Anchorage, The Pitt, Broken Steel, Point Lookout and Mothership Zeta.
• Limitless Freedom: Take in the sights and sounds of the vast Capital Wasteland! See the great monuments of the United States lying in post-apocalyptic ruin! You make the choices that define you and change the world. Just keep an eye on your Rad Meter!
• Experience SPECIAL: Vault-Tec engineers bring you the latest in human ability simulation – the SPECIAL Character System! Utilising new breakthroughs in points-based ability representation, SPECIAL affords unlimited customisation of your character. Also included are dozens of unique skills and perks to choose from, each with a dazzling variety of effects!
• The Power of Choice: Feeling like a dastardly villain today, or a good samaritan? Pick a side or walk the line, as every situation can be dealt with in many different ways. Talk out your problems in a civilised fashion, or just flash your Plasma Rifle.
• Blast ‘Em Away With V.A.T.S.: Even the odds in combat with the Vault-Tec Assisted Targeting System for your Pip-Boy Model 3000! V.A.
  Fallout 3 – Game Of The Year Edition (PC DVD)

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