Sixteen year old Bibi comes to her aunt Toni’s boarding house where she is seduced by lesbian women.

Starring a very young Marie Forså

This is the uncut version (originally the film was cut by 47 min in the UK)

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This is one of many so called Video Nasties about fictionalized World War 2 Nazi POW camp atrocities. A beautiful, nefarious senior female SS officer/doctor (Magall) creates a genetic, mutant human Beast (half man/half beast). The Beast is a rapacious, squat, mongoloid sex fiend which she uses to torture and molest female prisoners while the Nazis watch. The vertically challenged beast is kept on a diet of mega-aphrodisiacs. There is plenty of sadistic titillations, gore and nudity in this Nazi sub-genre exploitation flick

aka: SS Hell Camp / La Bestia in calore

Info:
English audio
Danish, Swedish, Norwegian, Finnish subtitles
Anamorphic Widescreen 1.85:1
Uncut
Trailershow
Booklet (in Danish)

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The Driller Killer ( Uncut ) [1979] [DVD] <- Read More Buy Now for £9.99 (Best Price)

Amazon.co.uk Review
Available “fully uncut” for the first time in the UK, Two Thousand Maniacs! is the second of director HG Lewis’ “blood” trilogy. Though the “once-in-a-lifetime” title makes a promise no film could keep–only about 30 maniacs show up–and the level of gore is a notch or so down from Blood Feast–only four deaths–this is perhaps the director’s most watchable film. The Brigadoon-derived plot nugget concerns a Deep South town (variously suggested to be in Georgia or Arkansas, but actually Florida) wiped out by Union raiders during the Civil War, which reappears once every 100 years to wreak “blood vengeance”. For the centennial celebrations, Pleasant Valley lures Yankee tourists off the road and subjects them to gruesome fairground games–a cannibal BBQ, a “horse-race”, a “barrel roll” and “teetering rock”. The ideas are nasty, and Lewis even attempts subtlety by keeping the quartering and the spiked barrel inside mostly off screen, but the creepiest touch is the “aw-shucks” good humour with which the ghostly Confederate maniacs–led by a mayor who is the spitting image of Sergeant Bilko’s Colonel Hall–treat their horrible sport. It has the usual Lewis drawbacks–mostly inept staging, acting that veers between the wooden (“Playmate” Connie Mason) and the amateurishly hammy (one of the worst child actors in film history), clumsy editing, community theatre production values–but his fans wouldn’t have it any other way and the hayseed music is great!

On the DVD: The full-screen image is as good as this ever will look, considering Lewis’ primitive understanding of lighting cinematography, with rich scarlet blood, vividly ugly 1963 leisurewear and very few print imperfections. The features offer an imaginative “Welcome to Pleasant Valley Centennial” menu, with buttons like the target you have to hit to drop the “teetering rock” on the Yankee; lurid original trailer (“Two thousand maniacs crazed for carnage started bathing a whole town in pulsing, human blood … brutal, evil, ghastly beyond belief”); filmographies for Lewis, Friedman and star William Kerwin (aka Thomas Wood); promotional art gallery; notes by aptly-monickered expert Billy Chainsaw, highlighting the connections with John Waters and Brigadoon; a teaser trailer for “the Herschell Gordon Lewis Collection”; a mass of trailers for other “Tartan terror” titles. The Lewis-Friedman commentary and mind-numbing outtakes reel available on the Region 1 DVD are sadly absent, but that release doesn’t have this one’s major bonus addition–the entire soundtrack album, with compositions by Lewis himself (including the immortal “Yee-Hah, the South’s Gonna Rise Again”) and Flatt and Scruggs (of Bonnie and Clyde fame). –Kim Newman

Two Thousand Maniacs

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Amazon.co.uk Review
Ok, let’s get all the disclaimers out of the way first. Despite its colourful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who’s sleeping with Satan, literally), and Canada. It’s rife with scatological humour, suggestive sexual situations, political incorrectness and gleeful, rampant vulgarity. And it’s probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross-meisters Terrance and Philip hit the big screen, and the South Park quartet of third graders–Stan, Kyle, Kenny, and Cartman–begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle’s overbearing mom, form “Mothers Against Canada”, blaming their neighbours to the north for their children’s corruption and taking Terrance and Philip as war prisoners. It’s up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who’s planning to take over the world. To give away any more of the plot would destroy the fun, but this feature-length version of Trey Parker and Matt Stone’s Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it’s a musical? From the opening production number “Mountain Town” to the cheerful anti-profanity sing-along “It’s Easy, MMMKay” to Satan’s faux-Disney ballad “Up There”, Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirising well-meaning but misguided parental censorship groups, Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can’t repeat them here, especially the lyrics to Terrance and Philip’s hit song, but you’ll be rolling on the floor. Don’t worry, though–to paraphrase Cartman, this movie won’t warp your fragile little mind. –Mark Englehart

South Park: Bigger, Longer and Uncut

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