Each of these four Gothic stories reveals a psychological tale of isolation and monomania. H. Walpole’s ‘The Castle of Otranto’ is filled with terror and ghostly interventions. William Beckford’s ‘Vathek’ alternates grotesque comedy with scenes of exotic magnificence. ‘The Monk’, by Matthew Lewis and M. Shelley’s ‘Frankenstein’ are also included.

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Each of these four Gothic stories reveals a psychological tale of isolation and monomania. H. Walpole’s ‘The Castle of Otranto’ is filled with terror and ghostly interventions. William Beckford’s ‘Vathek’ alternates grotesque comedy with scenes of exotic magnificence. ‘The Monk’, by Matthew Lewis and M. Shelley’s ‘Frankenstein’ are also included.

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By explaining the international dimension of Gothicism and dealing with German, French and American authors, this guide demonstrates the development of the genre in many areas of art and includes original research on Gothic theatre, spiritualism, ‘ghost seeing’ and spirit photography and the central impact of penny-dreadful writers on the genre.

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In the 1790s, Britain was struck by a reading revolution, a taste for terror fiction that seemed to know no bounds. How is it that the age of Enlightenment gave rise to the genre of the literary ghost story? ‘Gothic Documents’ seeks to answer this and other questions.

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From its origins in the eighteenth-century literature of terror to its contemporary manifestations in vampire fiction, cinema and art, the gothic has embraced the powers of horror and the erotic macabre. This book suggests that gothic fashion has deep cultural roots that give it an enduring potency.

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It’s hard to imagine how shocking this film was when it first broke on the film scene in 1968. There’s never been anything quite like it, though it’s inspired numerous pale imitations. Part of the terror lies in the fact that this one’s shot in such a raw, unadorned fashion it feels like a home movie, and all the more authentic for that. Another is that it draws us into its world gradually, content to establish a merely spooky atmosphere before leading us through a horrifically logical progression that we could hardly have anticipated. The story is simple. Radiation from a fallen satellite has caused the dead to walk and hunger for human flesh. Once bitten, you become one of them. And the only way to kill one is by a shot or blow to the head. We follow a group holed up in a small farmhouse to fend off the inevitable onslaught of the dead. And it’s the tensions between the members of this unstable, makeshift community that drive the film. Night of the Living Dead establishes its savagery as a necessary condition of life. Marked by fatality and a grim humour, it gnaws through to the bone, then proceeds on to the marrow.–Jim GayGeorge Romero’s classic 1968 zombie-fest Night of the Living Dead (shot in black and white) offers some disturbing images, even decades later. In a Pittsburgh suburb people are being stalked by zombies ravenous for human flesh. In a house whose occupant has already been slain, two separate groups of people unite and board themselves in, hoping to fend off the advancing ghouls. Through radio and TV reports they learn that radiation from outer space is thought to be responsible for the wave of zombie attacks all over the eastern United States. Once the humans are trapped, Romero shifts the focus to the internal feuding between them as they decide how to handle their dreadful situation. What unfolds is an examination of human nature, and of the fear and selfishness that keep many citizens from getting involved in the world’s problems. Appropriately, both the zombies, and the authorities who later hunt them, are equally soulless. This film could also be read as a criticism of white males–it is not merely a coincidence that the film’s two most rational, constructive characters are a woman and a black man. It is also no coincidence that the sequel Dawn of the Dead (1978) takes place in a mall infested by the undead–a perfect analogy for consumer culture. –Bryan Reeseman, Amazon.com

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House of Lost Souls (Beyond Terror) [DVD] [1986] <- Read More Buy Now for £9.99 (Best Price)

House of Clocks (Beyond Terror) [DVD] [1989] <- Read More Buy Now for £9.99 (Best Price)

Pranks (Beyond Terror) [DVD] [1981] <- Read More Buy Now for £9.99 (Best Price)