David Lynch (USA, b. 1946) is perhaps the best known of all cult directors, whose Mulholland Drive marks cinema’s arrival to the 21st century. His career began more than 30 years ago, with the groundbreaking, mystifying “Eraserhead” (1977). With “Blue Velvet” (1986), “Wild at Heart” (1990) and “Lost Highway” (1997) Lynch breathed new life into the sensory experiences of film audiences and disrupted narrative logic to mysterious and mystifying effect. In the early 1990s, he invented a new TV series genre with “Twin Peaks”. Although he is a Hollywood director, Lynch works at the edges of the studio system, exploring the many facets of his artistic talent, whose creations, including photography, painting and music, are now making their way into museums and galleries.

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“Inside The Wicker Man” is a treat for all cinemagoers, exhaustively researched and achieving a near-perfect balance between history, trivia and serious analysis. Allan Brown describes the filming and distribution of the cult masterpiece as a ‘textbook example of How Things Should Never Be Done’. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious – if flawed – piece of cinema. Brown expertly guides readers through the film’s convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures – many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.

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“Inside The Wicker Man” is a treat for all cinemagoers, exhaustively researched and achieving a near-perfect balance between history, trivia and serious analysis. Allan Brown describes the filming and distribution of the cult masterpiece as a ‘textbook example of How Things Should Never Be Done’. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious – if flawed – piece of cinema. Brown expertly guides readers through the film’s convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures – many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.

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The Badger is back! At Toad Hall, lair of multibillionaire. Baron Aristotle Krapaud, a cabal of industrialists and fat cats plot the violent overthrow of the French state by the intervention of horribly beweaponed automaton soldiers. Meanwhile, the brutal murder of a famous Parisian artist, mysteriously stabbed to death in his locked and guarded studio, is subject to the investigations of the tenacious Detective Inspector LeBrock of Scotland Yard, placing him and his faithful adjunct, Detective Sergeant Roderick Ratzi, in pursuit of the mysterious masked assassin stalking the cut-throat commercial world of the Grandville art scene. Bete Noire signals the welcome return to anthropomorphic steampunk detective fiction of master storyteller and graphic novel pioneer “Bryan Talbot” with the third stand-alone volume of the Eisner and Hugo Award nominated “Grandville” series.As the body count mounts and events spiral exponentially out of control, aided by his brilliant deductive abilities and innate ferocity, LeBrock battles against outrageous odds in this funny, high octane thriller, an adventure shot through with both high art and comic book references, a glorious illegitimate offspring of Sir Arthur Conan Doyle and Ian Fleming – with animals! Follow the Badger!

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The Badger is back! At Toad Hall, lair of multibillionaire. Baron Aristotle Krapaud, a cabal of industrialists and fat cats plot the violent overthrow of the French state by the intervention of horribly beweaponed automaton soldiers. Meanwhile, the brutal murder of a famous Parisian artist, mysteriously stabbed to death in his locked and guarded studio, is subject to the investigations of the tenacious Detective Inspector LeBrock of Scotland Yard, placing him and his faithful adjunct, Detective Sergeant Roderick Ratzi, in pursuit of the mysterious masked assassin stalking the cut-throat commercial world of the Grandville art scene. Bete Noire signals the welcome return to anthropomorphic steampunk detective fiction of master storyteller and graphic novel pioneer “Bryan Talbot” with the third stand-alone volume of the Eisner and Hugo Award nominated “Grandville” series.As the body count mounts and events spiral exponentially out of control, aided by his brilliant deductive abilities and innate ferocity, LeBrock battles against outrageous odds in this funny, high octane thriller, an adventure shot through with both high art and comic book references, a glorious illegitimate offspring of Sir Arthur Conan Doyle and Ian Fleming – with animals! Follow the Badger!

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Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

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Join in the latest celeb craze – create your own signature scent that you can take home! ; ; Now you can create a unique perfume that reflects your individuality. Using a range of 18 blends created by the Master Perfumer from the perfume studio you will join a trained consultant for a fascinating journey of perfume discovery and enjoyment. A 20ml purse spray containing your fragrance will be presented to you in a giftbox at the end of your experience. Now all you have to do is think up a name!

Price : £ 49.00

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Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

Price : £ 6.99

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Join in the latest celeb craze – create your own signature scent that you can take home! ; ; Now you can create a unique perfume that reflects your individuality. Using a range of 18 blends created by the Master Perfumer from the perfume studio you will join a trained consultant for a fascinating journey of perfume discovery and enjoyment. A 20ml purse spray containing your fragrance will be presented to you in a giftbox at the end of your experience. Now all you have to do is think up a name

Price : £ 94.99

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Join in the latest celeb craze – create your own signature scent that you can take home! ; ; Now you can create a unique perfume that reflects your individuality. Using a range of 18 blends created by the Master Perfumer from the perfume studio you will join a trained consultant for a fascinating journey of perfume discovery and enjoyment. A 20ml purse spray containing your fragrance will be presented to you in a giftbox at the end of your experience. Now all you have to do is think up a name

Price : £ 94.99

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