Gizmos, Gadgets, Noir and Steampunk
An evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman.
Price : £ 19.19
Amazon.co.uk Review
One of the most famous, most shocking and, for much of its existence, most elusive of cult films, Tod Browning’s Freaks remains worthy of its dubious top billing by literary critic Leslie Fiedler as the greatest of all Freak movies. At the centre of the story are two circus midgets, Hans and Frieda (already well known in the 1930s through film and advertising appearances as Harry and Daisy Earles), whose marriage plans are blasted when Hans becomes the target of the aerialist Cleopatra’s plot to marry him then kill him off for his money. During what is certainly one of the most notorious scenes in cult film history, the wedding party of freaks ritually embrace Cleopatra as one of us. Through her undisguised horror at this and her gruesome punishment by the freaks, the film bluntly confronts viewers about our awkwardness about different bodies while simultaneously stirring up fear and alarm in familiar horror-movie style. Better known for the Bela Lugosi version of Dracula (1931), Brownings showmanship was equally a product of the circus (he was himself an adolescent contortionist in a travelling show). His meshing of circus and cinema–two dangerous entertainments–produces Freaks‘ uniquely disquieting effect.
Startled and indignant preview audiences forced the producers to add an explanatory foreword to the film but even this crackles with sensationalism as it veers between sideshow-style sympathy and fright warning. None the less, protests and local censorship ensued and the film never reached the mass audience for which it was made. Still, some of the real stars of the midway Ten-in-One shows of the 1920s and 30s (Johnny Eck, Daisy and Violet Hilton the Siamese twins, Prince Randian, the Hindu Living Torso) are showcased here as themselves and it is their undeniably real presence in what is otherwise familiar fictional terrain which is still so provocative. –Helen Stoddart
Product Description
This 1.5″ min digital photo frame is ideal for travelers taking the pictures of their loved ones with them anywhere, can be used as a key ring, bag pendent, or a pendent for car mirror, Christmas Ornament etc. Pictures can be easily loaded from a computer via the USB cable supplied. It has a long lasting built-in battery rechargeable from your computer USB.
Amazon.co.uk Review
Zucker-Abrahams-Zucker, the creative troika behind Airplane!, scored another hit with this big-screen adaptation of their short-lived television show Police Squad!. Deadpan as ever, Leslie Nielsen revives his TV role of Lt Frank Drebin, the idiot with a detective’s badge. The jokes come thick and fast, gathering a momentum that lasts until the final act. Ricardo Montalban is a perfect foil as a villain whose aquarium is invaded by Drebin during routine questioning, and George Kennedy is delightful in a self-parodying part as an earnest but obtuse lawman. There’s a hilarious bit when Drebin–wearing a live police wire while going to the bathroom–can be overheard over the loudspeakers at a speech given by a flustered mayor (Nancy Marchand). And yes, that’s OJ Simpson as a detective who ends up on the wrong side of numerous Drebin blunders. –Tom Keogh, Amazon.com
Amazon.co.uk Review
Having proven itself as a favourite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There’s a timeless appeal to Roald Dahl’s classic children’s novel, which was playfully preserved in this charming musical, from the colourful carnival-like splendour of its production design to the infectious melody of the “Oompah-Loompah” songs that punctuate the story. Who can forget those diminutive Oompah-loompah workers who recite rhyming parental warnings (“Oompah-loompah, doopity do…”) whenever some mischievous child has disobeyed Willy Wonka’s orders to remain orderly?
Oh, but we’re getting ahead of ourselves … it’s really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka’s mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it’s Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka’s factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge of menace and madness that nicely counterbalances the movie’s sentimental sweetness. It’s that willingness to risk a darker tone–to show that even a wonderland like Wonka’s can be a weird and dangerous place if you’re a bad kid–that makes this an enduring family classic. –Jeff Shannon Amazon.co.uk Review
Starring Gene Wilder in the title role, Willy Wonka and the Chocolate Factory may not be the most faithful Roald Dahl adaptation to hit the big screen, but there’s a strong argument that it’s the best. Even Tim Burton and Johnny Depp, with their 2005 release Charlie and the Chocolate Factory, couldn’t come close to this 1971 musical version.
Even nearly four decades later, it’s a surprisingly dark yet ultimately utterly joyful film, as Charlie Bucket finds his golden ticket and gets to join four gruesome children on a tour of the factory of the film’s title. What’s more, Willy Wonka and the Chocolate Factory is packed with toe-tapping, memorable musical numbers, a terrific cast of young performers, and a memorable lead performance from Wilder. His Willy Wonka is a complex creation, veering unpredictably between likeable and quite sinister. And it’s a performance that sticks in the mind long, long after the credits have rolled.
The Blu-ray release sadly doesn’t present the copious extra material in high definition, but the main feature has benefited from a solid improvement. It’s a bright, colourful and imaginative film for long periods, and the transfer work is up to the job. There are moments where the material shows its age a little, but this is a good upgrade from the DVD edition, and the picture and audio both show genuine improvements. It’s also the finest way to own what’s undoubtedly the best version of the book to make it to the big screen to date. As fine an actor as Johnny Depp is, his Willy Wonka simply doesn’t hold a candle to Mr Wilder’s…. –Jon Foster
Product Description
Ultra portable and amazingly compact, this Pocket Photo Album is ready to go with you everywhere. Youll be able to share your photos at once with friends and family using the Pocket Photo Albums 1.5 inch LCD screen.
It has an easy to use interface, which can display pictures of up to 12 megapixel that will automatically be resized, and can even display photos that have been edited
The album can be set to automatic slide show or manual.
Photos can be loaded and unloaded through a USB cable ( supplied ) when connected to a PC / Laptop
The album can also be charged via the supplied USB cable (no batteries needed).
User guide and software is supplied with the keyring.
ULTRA SLIM : 77mm x 44mm x 9.5mm
A great gift for friends and family at an excellent price !
Attach it to your keys, put it on your desk and give it as a gift so you can view your special moments wherever you are.
Top quality digital photo display. Large 1.5 screen + displays 100 photos.
Supplied with easy to use software CD, simply click the arrow to easily add photos.
Easy clip key chain to add it to your house or car keys.
USB cable supplied to charge the photo frame, no need for batteries.
You can leave it plugged in and display your photos on an automatic slide show on your PC.
Amazon.co.uk Review
Zucker-Abrahams-Zucker, the creative troika behind Airplane!, scored another hit with this big-screen adaptation of their short-lived television show Police Squad!. Deadpan as ever, Leslie Nielsen revives his TV role of Lt Frank Drebin, the idiot with a detective’s badge. The jokes come thick and fast, gathering a momentum that lasts until the final act. Ricardo Montalban is a perfect foil as a villain whose aquarium is invaded by Drebin during routine questioning, and George Kennedy is delightful in a self-parodying part as an earnest but obtuse lawman. There’s a hilarious bit when Drebin–wearing a live police wire while going to the bathroom–can be overheard over the loudspeakers at a speech given by a flustered mayor (Nancy Marchand). And yes, that’s OJ Simpson as a detective who ends up on the wrong side of numerous Drebin blunders. –Tom Keogh, Amazon.com
Amazon.co.uk Review
Having proven itself as a favourite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There’s a timeless appeal to Roald Dahl’s classic children’s novel, which was playfully preserved in this charming musical, from the colourful carnival-like splendour of its production design to the infectious melody of the “Oompah-Loompah” songs that punctuate the story. Who can forget those diminutive Oompah-loompah workers who recite rhyming parental warnings (“Oompah-loompah, doopity do…”) whenever some mischievous child has disobeyed Willy Wonka’s orders to remain orderly?
Oh, but we’re getting ahead of ourselves … it’s really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka’s mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it’s Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka’s factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge of menace and madness that nicely counterbalances the movie’s sentimental sweetness. It’s that willingness to risk a darker tone–to show that even a wonderland like Wonka’s can be a weird and dangerous place if you’re a bad kid–that makes this an enduring family classic. –Jeff Shannon Amazon.co.uk Review
Starring Gene Wilder in the title role, Willy Wonka and the Chocolate Factory may not be the most faithful Roald Dahl adaptation to hit the big screen, but there’s a strong argument that it’s the best. Even Tim Burton and Johnny Depp, with their 2005 release Charlie and the Chocolate Factory, couldn’t come close to this 1971 musical version.
Even nearly four decades later, it’s a surprisingly dark yet ultimately utterly joyful film, as Charlie Bucket finds his golden ticket and gets to join four gruesome children on a tour of the factory of the film’s title. What’s more, Willy Wonka and the Chocolate Factory is packed with toe-tapping, memorable musical numbers, a terrific cast of young performers, and a memorable lead performance from Wilder. His Willy Wonka is a complex creation, veering unpredictably between likeable and quite sinister. And it’s a performance that sticks in the mind long, long after the credits have rolled.
The Blu-ray release sadly doesn’t present the copious extra material in high definition, but the main feature has benefited from a solid improvement. It’s a bright, colourful and imaginative film for long periods, and the transfer work is up to the job. There are moments where the material shows its age a little, but this is a good upgrade from the DVD edition, and the picture and audio both show genuine improvements. It’s also the finest way to own what’s undoubtedly the best version of the book to make it to the big screen to date. As fine an actor as Johnny Depp is, his Willy Wonka simply doesn’t hold a candle to Mr Wilder’s…. –Jon Foster
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