Product Description
There is a whole tiny world to discover under the lens of your National Geographic 1200x Microscope . This microscope features 3 magnifications: 300x, 600x and 1200x and has an electric illuminator for clear viewing. Use the 3 prepared slides or get out there and create your own slides using the 8 blank slides , 3 specimen vials, tweezers, petri dish , test tube and tweezers. There are millions of tiny plants, fabrics and living animals for you to find and examine around the home and outside. The National Geographic 47 Piece 1200x Microscope Set is a great way to encourage an interest in science.

• Three magnifications 300 X, 600 X and 1200 X
• Electric illuminator

National Geographic 47 Piece 1200X Microscope set

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Amazon.co.uk Review
A volatile, toxic potion of satire and nihilism, road movie and science fiction, violence and comedy, the unclassifiable sensibility of Alex Cox’s Repo Man is the model and inspiration for a potent strain of post-punk American comedy that includes not only Quentin Tarantino (Pulp Fiction), but also early Coen brothers (Raising Arizona, in particular), Men in Black, and even (in a weird way) The X-Files. Otto, a baby-face punk played by Emilio Estevez, becomes an apprentice to Bud (Harry Dean Stanton), a coke-snorting, veteran repo-man-of-honour prowling the streets of a Los Angeles wasteland populated by hoods, wackos, burnouts, conspiracy theorists, and aliens of every stripe. It may seem chaotic at first glance, but there’s a “latticework of coincidence” (as Tracey Walter puts it) underlying everything. Repo Man is a key American movie of the 1980s–just as Taxi Driver, Nashville, and Chinatown are key American movies of the ’70s. With a scorching soundtrack that features Iggy Pop, Fear, Black Flag, Circle Jerks, and Suicidal Tendencies. –Jim Emerson

Repo Man

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Screen Sirens Scream!: Interviews with 20 Actresses from Science Fiction, Horror, Film Noir and Mystery Movies, 1930’s to 1960’s

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Amazon.co.uk Review
Invasion of the Body Snatchers is considered one of the best science fiction films of the 1950s and 1960s. The classic paranoid thriller was widely interpreted as a criticism of the McCarthy era, which was characterised by anti-Communist witch-hunts and fear of the dreaded blacklist. Some hailed it as an attack on the oppressive power of government as Big Brother. However viewers interpret it, this original 1956 version of Invaders of the Body Snatchers (based on Jack Finney’s serialised novel The Body Snatchers) remains a milestone movie in its genre, directed by Don Siegel with an inventive intensity that continues to pack an entertaining wallop.

Dr. Miles Bennell (Kevin McCarthy) is unconcerned when the townsfolk accuse their loved ones of acting like emotionless impostors. But soon the evidence is overwhelming–Santa Mira has been invaded by alien “pods”, which are capable of replicating humans and taking possession of their identities. It’s up to McCarthy to spread the word of warning, battling the alien invasion at the risk of his own life. Look closely and you’ll find future director Sam Peckinpah (an uncredited cowriter of this film) making a cameo appearance as a meter reader! –Jeff Shannon

Invasion of the Body Snatchers

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Die Ästhetik des Film Noir im postmodernen Science- Fiction Film: Eine filmanalytische Untersuchung ausgewählter Kinofilme

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Tech-noir: The Fusion of Science Fiction and Film Noir

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