Amazon.co.uk Review
In a way, Scarlet Street is a remake. It’s taken from a French novel, La Chienne (literally, “The Bitch”) that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang’s version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang’s previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett’s streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold.

When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn’t enough, and the film was banned in New York State for being “immoral, indecent and corrupt”. Not that this did its box-office returns any harm at all.

On the DVD: sparse pickings. There’s an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it’s repetitive and not always reliable. (He gets actors’ names wrong, for a start.) The box claims the print’s been “fully restored and digitally remastered”, but you’d never guess. –Philip Kemp

Scarlet Street

Buy Now for

Amazon.co.uk Review
This is the movie that made John Waters famous, and quite possibly the film that made bad taste cool. Yes, Virginia, a large transvestite actually eats dog faeces as a kind of dizzying denouement to this frequently illogical and intentionally disgusting movie, but by the time that happens, you’re already numb … and you’ve possibly laughed to the point of losing bladder control.

The plot revolves around two vile families laying claim to the title “The Filthiest People Alive”. You’ve got pregnant women in pits, you’ve got grown men getting sexual satisfaction from chickens, you’ve got people licking furniture to perform trailer-park voodoo and you’ve got classic lines like: “Oh my God! The couch … it … it rejected you!”

Waters, who went on to direct genuine pop-culture classics such as Hairspray and Serial Mom, made this celluloid sideshow with one aim–to make a name for himself. It worked. He does have a genuine eye for filmmaking (when the trailer burns down, you feel the white heat of Divine’s pain and anger). On the other hand, you won’t notice any disclaimers about stunt doubles and animals not being mistreated. There weren’t, and they were. Welcome to the filthiest film in the world. –Grant Balfour

Pink Flamingos

Buy Now for £6.20

Amazon.co.uk Review
Ok, let’s get all the disclaimers out of the way first. Despite its colourful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who’s sleeping with Satan, literally), and Canada. It’s rife with scatological humour, suggestive sexual situations, political incorrectness and gleeful, rampant vulgarity. And it’s probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross-meisters Terrance and Philip hit the big screen, and the South Park quartet of third graders–Stan, Kyle, Kenny, and Cartman–begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle’s overbearing mom, form “Mothers Against Canada”, blaming their neighbours to the north for their children’s corruption and taking Terrance and Philip as war prisoners. It’s up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who’s planning to take over the world. To give away any more of the plot would destroy the fun, but this feature-length version of Trey Parker and Matt Stone’s Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it’s a musical? From the opening production number “Mountain Town” to the cheerful anti-profanity sing-along “It’s Easy, MMMKay” to Satan’s faux-Disney ballad “Up There”, Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirising well-meaning but misguided parental censorship groups, Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can’t repeat them here, especially the lyrics to Terrance and Philip’s hit song, but you’ll be rolling on the floor. Don’t worry, though–to paraphrase Cartman, this movie won’t warp your fragile little mind. –Mark Englehart

South Park: Bigger, Longer & Uncut

Buy Now for £14.94

Amazon.co.uk Review
One of the most famous, most shocking and, for much of its existence, most elusive of cult films, Tod Browning’s Freaks remains worthy of its dubious top billing by literary critic Leslie Fiedler as the greatest of all Freak movies. At the centre of the story are two circus midgets, Hans and Frieda (already well known in the 1930s through film and advertising appearances as Harry and Daisy Earles), whose marriage plans are blasted when Hans becomes the target of the aerialist Cleopatra’s plot to marry him then kill him off for his money. During what is certainly one of the most notorious scenes in cult film history, the wedding party of freaks ritually embrace Cleopatra as one of us. Through her undisguised horror at this and her gruesome punishment by the freaks, the film bluntly confronts viewers about our awkwardness about different bodies while simultaneously stirring up fear and alarm in familiar horror-movie style. Better known for the Bela Lugosi version of Dracula (1931), Brownings showmanship was equally a product of the circus (he was himself an adolescent contortionist in a travelling show). His meshing of circus and cinema–two dangerous entertainments–produces Freaks‘ uniquely disquieting effect.

Startled and indignant preview audiences forced the producers to add an explanatory foreword to the film but even this crackles with sensationalism as it veers between sideshow-style sympathy and fright warning. None the less, protests and local censorship ensued and the film never reached the mass audience for which it was made. Still, some of the real stars of the midway Ten-in-One shows of the 1920s and 30s (Johnny Eck, Daisy and Violet Hilton the Siamese twins, Prince Randian, the Hindu Living Torso) are showcased here as themselves and it is their undeniably real presence in what is otherwise familiar fictional terrain which is still so provocative. –Helen Stoddart

Freaks

Buy Now for £9.52

Amazon.co.uk Review
Ok, let’s get all the disclaimers out of the way first. Despite its colourful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who’s sleeping with Satan, literally), and Canada. It’s rife with scatological humour, suggestive sexual situations, political incorrectness and gleeful, rampant vulgarity. And it’s probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross-meisters Terrance and Philip hit the big screen, and the South Park quartet of third graders–Stan, Kyle, Kenny, and Cartman–begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle’s overbearing mom, form “Mothers Against Canada”, blaming their neighbours to the north for their children’s corruption and taking Terrance and Philip as war prisoners. It’s up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who’s planning to take over the world. To give away any more of the plot would destroy the fun, but this feature-length version of Trey Parker and Matt Stone’s Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it’s a musical? From the opening production number “Mountain Town” to the cheerful anti-profanity sing-along “It’s Easy, MMMKay” to Satan’s faux-Disney ballad “Up There”, Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirising well-meaning but misguided parental censorship groups, Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can’t repeat them here, especially the lyrics to Terrance and Philip’s hit song, but you’ll be rolling on the floor. Don’t worry, though–to paraphrase Cartman, this movie won’t warp your fragile little mind. –Mark Englehart

South Park: Bigger, Longer and Uncut

Buy Now for £4.59