In a way, Scarlet Street is a remake. It’s taken from a French novel, La Chienne (literally, “The Bitch”) that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang’s version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang’s previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett’s streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold.

The Stranger, according to Orson Welles, “is the worst of my films. There is nothing of me in that picture”. But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he’s living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn’t wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive–and if there was one thing Welles could never play, it was unobtrusive. Still, the film’s far from a write-off. Welles’ eye for stunning visuals rarely deserted him and, aided by Russell Metty’s skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever.

On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been “fully restored and digitally remastered”, but you’d never guess. –Philip Kemp

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Amazon.co.uk Review
In Transformers: The Movie it’s the year 2005, and the universe is going right down the toilet. Not only have the heroic Autobots lost their homeworld of Cybertron to the evil Decepticons, a giant metallic planet named Unicron is on the prowl, treating solar systems like a gigantic buffet and gunning for the Autobots’ matrix of leadership. Fortunately, struggling against the odds is what heroes do best, and it is indeed hard to keep a good robot down. As the battle rages from space to earth and back into space again, characters die, others are reborn and, ultimately, good must face evil in a climactic battle for the fate of the universe. When this animated film arrived in American cinemas in the mid-1980s, the Transformers–both the robot toys and the television show–were at the height of their popularity. Transformers The Movie took these battling ‘bots and, er, transformed them into film stars, albeit of the cult variety. The animation is a bit touch-and-go: at its best, it’s up there with classic Japanese manga; at it’s worst, it reeks of horrible 80s assembly-line productions. And the plot is little more than an advert for the (then) new toys, many of which show up as main characters in the film (Hot Rod, Kup, Ultra Magnus, Galvatron, etc). However, some of the action sequences are indeed spectacular–especially the battle for Autobot City–and the violence is a bit intense for what is, basically, a kid’s film (they may just be robots, but they still die, apparently). What really makes this film more than meets the eye, though, is the names who show up as voices in the credits: Leonard Nimoy, Judd Nelson, Robert Stack, Eric Idle and even Orson Welles, in one of his last roles, as Unicron.

On the DVD: In order to please the growing numbers of hardcore Transformers fans out there, the DVD version of Transformers: The Movie has been beefed up with loads of extra features: the original theatrical trailer, introductory footage taken from the BBC’s I Love 1984 and a picture gallery with music are all excellent additions, but best of all is Takara’s “The Four Soldiers from the Sky”. Though the dubbing and translation are a bit poor, it’s still a rare opportunity to see a Transformers episode that never aired outside of Japan.–Robert Burrow

The Transformers: The Movie

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