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This title challenges the view that ‘psychology’ explains the Gothic. Mighall offers original readings of familiar texts, from Dickens to Stoker, Wilkie Collins to Conan Doyle; but also a rich store of original sources, from European travelogues to sexological textbooks, from ecclesiastic histories to pamphlets on the perils of self-abuse.

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This rich and varied collection of essays makes a timely contribution to critical debates about the Female Gothic, a popular but contested area of literary studies. The contributors revisit key Gothic themes – gender, race, the body, monstrosity, metaphor, motherhood and nationality – to open up new critical directions.

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At a reception, a young nobleman falls under the spell of an irresistible sorceress. Two hundred years later, Belinda and her boyfriend are stranded by a thunderstorm in a Gothic priory, and become drawn into an enclosed world of luxurious decadence and sexual alchemy.

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Describes the process of erecting the great cathedrals in the Gothic era. This text explains the building equipment and falsework needed, the actual operations undertaken, and the sequence of these operations as far as they can be deduced from manuscript illuminations and pictorial representations.

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The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume presents three of the most celebrated Gothic novels: ‘The Castle of Otranto’, published pseudonymously in 1765; ‘Vathek’ (1786); and the story of ‘Frankenstein’ (1818).

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Lewis’s survey of the Gothic revival treats individual buildings and broad movements in England, Europe and the USA with fresh authority. This is a comprehensive introduction to one of the most colourful periods in the history of architecture.

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A book on the British horror movie to detect and analyse the roots of British horror, identifying it as ‘the only staple cinematic myth which Britain can properly claim as its own.’ It has revised author’s original work, bringing the story into the 21st century.

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