Posted by Notcot on May 2, 2012 in
Noir
In a way, Scarlet Street is a remake. It’s taken from a French novel, La Chienne (literally, “The Bitch”) that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang’s version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang’s previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett’s streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold.
The Stranger, according to Orson Welles, “is the worst of my films. There is nothing of me in that picture”. But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he’s living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn’t wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive–and if there was one thing Welles could never play, it was unobtrusive. Still, the film’s far from a write-off. Welles’ eye for stunning visuals rarely deserted him and, aided by Russell Metty’s skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever.
On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been “fully restored and digitally remastered”, but you’d never guess. –Philip Kemp
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Tags: 1946, agnes moorehead, AutoPilot, Bitch, bleaker, college, colour, dan duryea, french novel, fritz lang, grand guignol, investigator, jean renoir, joan bennett, Montmartre, Nazi, Noir, occasional insight, Orson, orson welles, Photography, plot, russell metty, sam spiegel, scarlet street, Spiegel, steel trap, stranger, stunning visuals, version, War, war crimes investigator, way, Welles
Posted by Notcot on Jul 4, 2010 in
Noir
Average Rating: / 5 ( Reviews)
Product Description
Mini Art Poster: The Chat Noir (Black Cat)club run by Rudy Salis and Ariste Bruant, who later went on to open the Cafe Mirliton, the club of extreme in turn of the Century Montmartre, Paris, brought to glorious light by the art work of Parisian artist Theophile Steinlen.
- Mini Poster
- 40x50cm
- Brand New
Chat Noir – Mini Poster – 40cm x 50cm
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Tags: Ariste, art poster, art work, artist, Average, Black, black cat, Bruant, Cafe, cat club, cmBrand, DescriptionMini, glorious light, Light, mini poster, Montmartre, montmartre paris, Noir, rudy, Salis, Steinlen, Theophile, turn, turn of the century, work
Posted by Notcot on Jun 3, 2010 in
Noir
Tags: advertisement, art poster, artist, Average, Black, black cat, bohemian, cabaret, cmBrand, DescriptionLaminated, Montmartre, montmartre paris, nightclub, Noir, poster art, Product, Salis, Steinlen, theophile alexandre steinlein, Tournee, turn
Posted by Notcot on Jun 1, 2010 in
Noir
Average Rating: 4.5 / 5 (2 Reviews)
Amazon.co.uk Review
In a way, Scarlet Street is a remake. It’s taken from a French novel, La Chienne (literally, “The Bitch”) that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang’s version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang’s previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett’s streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold.
When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn’t enough, and the film was banned in New York State for being “immoral, indecent and corrupt”. Not that this did its box-office returns any harm at all.
On the DVD: sparse pickings. There’s an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it’s repetitive and not always reliable. (He gets actors’ names wrong, for a start.) The box claims the print’s been “fully restored and digitally remastered”, but you’d never guess. –Philip Kemp
Scarlet Street
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Tags: accident, amazon co uk, Bitch, bleaker, censorship problems, Chienne, college, colour, dan duryea, french novel, fritz lang, interactive menu, jealous rage, jean renoir, joan bennett, mental hell, Montmartre, nagging, occasional insight, Philip Kemp, plot, rage, Scale, scarlet street, shrewish wife, steel trap, tale, time, version, way