Posted by Notcot on Jan 4, 2013 in
Cult Film
David Lynch (USA, b. 1946) is perhaps the best known of all cult directors, whose Mulholland Drive marks cinema’s arrival to the 21st century. His career began more than 30 years ago, with the groundbreaking, mystifying “Eraserhead” (1977). With “Blue Velvet” (1986), “Wild at Heart” (1990) and “Lost Highway” (1997) Lynch breathed new life into the sensory experiences of film audiences and disrupted narrative logic to mysterious and mystifying effect. In the early 1990s, he invented a new TV series genre with “Twin Peaks”. Although he is a Hollywood director, Lynch works at the edges of the studio system, exploring the many facets of his artistic talent, whose creations, including photography, painting and music, are now making their way into museums and galleries.
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Tags: Cinema, David, Lynch, masters
Posted by Notcot on May 10, 2012 in
Cult Film
A volatile, toxic potion of satire and nihilism, road movie and science fiction, violence and comedy, the unclassifiable sensibility of Alex Cox’s Repo Man is the model and inspiration for a potent strain of post-punk American comedy that includes not only Quentin Tarantino (Pulp Fiction), but also early Coen brothers (Raising Arizona, in particular), Men in Black, and even (in a weird way) The X-Files. Otto, a baby-face punk played by Emilio Estevez, becomes an apprentice to Bud (Harry Dean Stanton), a coke-snorting, veteran repo-man-of-honour prowling the streets of a Los Angeles wasteland populated by hoods, wackos, burnouts, conspiracy theorists, and aliens of every stripe. It may seem chaotic at first glance, but there’s a “latticework of coincidence” (as Tracey Walter puts it) underlying everything. Repo Man is a key American movie of the 1980s–just as Taxi Driver, Nashville, and Chinatown are key American movies of the ’70s. With a scorching soundtrack that features Iggy Pop, Fear, Black Flag, Circle Jerks, and Suicidal Tendencies. –Jim Emerson
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Tags: Alex Cox, american comedy, Black, cinema ltd, circle jerks, coen brothers, comedy, conspiracy, conspiracy theorists, everything, Fear, Harry Dean Stanton, Jim Emerson, man of honour, masters, model, nihilism, potent strain, Pulp, pulp fiction, Punk, Quentin Tarantino, repo man, road, steelbook, strain, suicidal tendencies, Tracey Walter, wasteland, way
Posted by Notcot on May 9, 2012 in
Noir
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain’s hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson’s husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film’s credit, this doesn’t diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today’s standards, and the dialogue is snappy (“I thought you were smarter than the rest, Walter. But I was wrong. You’re not smarter, just a little taller”), filled with lots of “dame”s and “baby”s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. –Jenny Brown
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Tags: barbara stanwyck, billy wilder, course, dialogue, director billy wilder, Dog, double indemnity, edward g robinson, Fatale, Femme, fred macmurray, husband, insurance, insurance investigator, insurance man, insurance money, investigator, james m cain, jenny brown, masters, Raymond Chandler, Series, shaggy dog, softy, Sons, story, sunset boulevard, today, Type, walter neff
Posted by Notcot on May 5, 2012 in
Cult Film
United Kingdom released, Blu-Ray/Region B DVD: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby DTS-HD Master Audio ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Booklet, Commentary, Documentary, Interactive Menu, Making Of, Remastered, Scene Access, Short Film, Trailer(s), SYNOPSIS: Three years after helping to achieve some of the most amazing imagery in cinema history with 2001: A Space Odyssey, special effects maestro Douglas Trumbull made an auspicious directorial debut at age 29 with the environmentally themed science fiction classic Silent Running. In the distant future, plant life on our planet is extinct. Remaining specimens are cultivated in vast greenhouse-like domes orbiting in space. Bruce Dern (Marnie, Coming Home, The ‘burbs, Monster) stars as Freeman Lowell, dedicated botanist aboard the “Valley Forge”, awaiting the call to refoliate Earth – despite the scorn of his crewmates. When an order comes to instead destroy the domes and return home, Lowell takes matters into his own hands, beginning a long and lonely voyage into the unknown. With its remarkable special effects (especially the robot drones Huey, Dewey, and Louie); glorious score (including songs performed by Joan Baez); memorable sound effects (created by Joseph Byrd from the cult band The United States of America); a screenplay co-written by Michael Cimino (The Deer Hunter) and Steven Bochco (Hill Street Blues), and an impassioned central performance from Dern, Silent Running remains a uniquely contemplative and haunting adventure that continues to make hippies of young children, even today. …Silent Running ( Running Silent ) (Blu-Ray)
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Tags: 1971, Bluray, Cinema, masters, RUNNING, Silent