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James Bond: Quantum Of Solace – Quartet Poster
Posted by Notcot on Jan 29, 2013 in Gadgets
James Bond: Connery Tuxedo Art Print
Posted by Notcot on Aug 8, 2012 in Gadgets
Pink Retro BT GPO Dial Telephone
Posted by Notcot on May 2, 2012 in Gadgets
If you were to ask an average gadgeteer to sketch a telephone, this is what they would draw. Oh yeah, this is a proper telephone. It doesn’t have a thousand memories, it doesn’t do text messaging, customised ring tones or multi-megapixel photos, and it certainly doesn’t do slim-line or lightweight*. What it does have in abundance though, is telephonic style. Think of all those classic 1960s/70s Brit films and TV series; The Sweeney, The Avengers, James Bond, all those Michael Caine thrillers, they all used the classic dial telephone. When Life on Mars came out, the classic dial telephone was up there with the Mk.3 Cortina when it came to period cool. The classic GPO type 746 dial telephone was introduced to the market in 1967. It rapidly became a design classic and was still available to BT customers until the 1980s. Its robust and reliable design made it a universal favourite in homes and offices around Britain.
Price : £ 59.95
Pink Retro BT GPO Dial Telephone
Posted by Notcot on Sep 29, 2010 in Gadgets
If you were to ask an average gadgeteer to sketch a telephone, this is what they would draw. Oh yeah, this is a proper telephone. It doesn’t have a thousand memories, it doesn’t do text messaging, customised ring tones or multi-megapixel photos, and it certainly doesn’t do slim-line or lightweight*. What it does have in abundance though, is telephonic style. Think of all those classic 1960s/70s Brit films and TV series; The Sweeney, The Avengers, James Bond, all those Michael Caine thrillers, they all used the classic dial telephone. When Life on Mars came out, the classic dial telephone was up there with the Mk.3 Cortina when it came to period cool. The classic GPO type 746 dial telephone was introduced to the market in 1967. It rapidly became a design classic and was still available to BT customers until the 1980s. Its robust and reliable design made it a universal favourite in homes and offices around Britain.
Price : £ 59.95
Spy Camera Glasses
Posted by Notcot on Jul 26, 2010 in Gadgets
Equilibrium
Posted by Notcot on May 18, 2010 in Cult Film
Amazon.co.uk Review
From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry’s Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists–The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation‘s final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers’ wishes by introducing the USS Defiant (an apt name) in Season 3.
Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem’Hadar foot soldiers’ addiction to Ketracel White.
Perhaps Sisko summed up the real heart of things: “Bajor doesn’t need a man, it needs a legend”. A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine‘s first best destiny. –Paul Tonks