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The Steampunk Tarot

Posted by Notcot on Dec 18, 2012 in Steampunk
The Steampunk Tarot

Go where the past and future converge, into a world of roaring engines and gleaming metal, top hats and corseted silk gowns …where alternate histories play out in a film reel of fantasy, adventure, and magic. A wildly popular genre that is gaining momentum, steampunk – an eclectic literary, visual, and cultural trend – is exquisitely fashioned in this stunning new tarot deck. Retooling the gears of the Rider-Waite tradition with a steampunk edge, the artwork evokes our complex relationship with science and technology. The included manual provides tips, original spreads, and guidance in card interpretation.

Price : £ 23.76

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Pink Floyd: The Wall

Posted by Notcot on Apr 21, 2010 in Cult Film

Average Rating: 4.5 / 5 (28 Reviews)

Amazon.co.uk Review
By any rational measure, Alan Parker’s cinematic interpretation of Pink Floyd’s The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters’ great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that’s as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict–Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters’s alter ego–an alienated, “comfortably numb” rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters’s autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It’s a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. –Jeff Shannon

Pink Floyd: The Wall

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