Offers a series of insights into Gothic writing, its history and genealogy, and also provides coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned. This book consists of 25 essays, arranged in five sections including: Gothic Backgrounds; The ‘Original’ Gothic; and, Ideas about the Gothic.

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A unique opportunity to collect all four of Ricky Gervais’ bestselling Flanimals books – ‘Flanimals’, ‘More Flanimals’, ‘Flanimals of the Deep’ and ‘The Day of the Bletchling’.

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This work unravels the meanings that Gothic held for its many reinventors – from the political uses of Gothic history in the 17th century to Barry and Pugin’s ‘Houses of Parliament’ in the 19th century. The book examines the influence of Gothic as a dominant cultural and architectural force.

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Explores the world of Gothic in its myriad forms throughout the mid-eighteenth Century to the internet age. This title includes discussion on: the history of Gothic gothic throughout the English-speaking world; key themes and concepts ranging from hauntings and the uncanny; and, Gothic femininities and queer gothic in the modern world.

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Presents the history of Gothic architecture from its origins and blossoming in 12th-century France through its dissemination in all of Europe. This work also offers a discussion of the most diverse art forms; and covers chapters that are devoted to the Papal Palace of Avignon and the splendour of Gothic glass painting.

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Botting expertly introduces the transformations of the gothic through history, discussing key figures such as ghosts, monsters and vampires, as well as tracing its origins, characteristics, cultural significance and critical interpretations.

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Humphrey Bogart and Lauren Bacall made screen history together more than once, but they were never more popular than in this 1946 adaptation of Raymond Chandler’s novel, directed by Howard Hawks (To Have and Have Not). Bogart plays private eye Philip Marlowe, who is hired by a wealthy socialite (Bacall) to look into troubles stirred up by her wild, young sister (Martha Vickers). Legendarily complicated (so much so that even Chandler had trouble following the plot), the film is nonetheless hugely entertaining and atmospheric, an electrifying plunge into the exotica of detective fiction. William Faulkner wrote the screenplay. –Tom Keogh

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