Posted by Notcot on Feb 14, 2013 in
Cult Film
Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.
Price : £ 7.99
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Tags: appreciative audience, arachnids, binges, controversial stance, cult movie, cult movies, cult status, fanbase, film buff, film historians, foot women, harold and maude, imaginary friends, pink elephants, plan 9 from outer space
Posted by Notcot on Feb 9, 2013 in
Cult Film
Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.
Price : £ 7.99
Read more…
Tags: appreciative audience, arachnids, BEFORE, binges, controversial stance, Cult, cult movie, cult movies, cult status, film buff, film historians, foot women, harold and maude, Movies, Must, pink elephants, plan 9 from outer space
Posted by Notcot on Feb 7, 2013 in
Cult Film
Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.
Price : £ 7.99
Read more…
Tags: appreciative audience, arachnids, binges, controversial stance, cult movie, cult movies, cult status, fanbase, film buff, film historians, foot women, harold and maude, imaginary friends, pink elephants, plan 9 from outer space
Posted by Notcot on Dec 3, 2012 in
Cult Film
Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.
Price : £ 7.49
Read more…
Tags: appeal, appreciative audience, arachnids, Barbarella, binges, Blues, budget, Chien, controversial stance, Cult, cult movie, cult movies, cult status, eccentricity, fanbase, film buff, film historians, Foot, foot women, generation, harold and maude, imaginary friends, insight, pink elephants, plan 9 from outer space, story, studio, time, tolerance
Posted by Notcot on Jul 4, 2012 in
Cult Film
Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.
Price : £ 6.99
Read more…
Tags: appeal, appreciative audience, arachnids, Barbarella, binges, Blues, budget, Chien, controversial stance, Cult, cult movie, cult movies, cult status, eccentricity, fanbase, film buff, film historians, Foot, foot women, generation, harold and maude, imaginary friends, insight, pink elephants, plan 9 from outer space, story, studio, time, tolerance
Posted by Notcot on Nov 14, 2010 in
Cult Film
Black comedies don’t come much blacker than cult favourite, Harold and Maude (1972), and they don’t come much funnier either. It seems that director Hal Ashby was the perfect choice to mine a load of eccentricity from the original Colin Higgins script, about the unlikely romance between a death-obsessed 19-year-old named Harold (Bud Cort) and a life-loving 79-year-old widow named Maude (Ruth Gordon). They meet at a funeral, and Maude finds something oddly appealing about Harold, urging him to “reach out” and grab life by the lapels as opposed to dwelling morbidly on mortality. Harold grows fond of the old gal–she’s a lot more fun than the girls his mother desperately tries to match him up with- -and together they make Harold and Maude one of the sweetest and most unconventional love stories ever made. Much of the early humour arises from Harold’ s outrageous suicide fantasies, played out as a kind of twisted parlour game to mortify his mother, who has grown immune to her strange son’s antics. Gradually, however, the film’s clever humour shifts to a brighter outlook and finally arrives at a point where Harold is truly happy to be alive. Featuring soundtrack songs by Cat Stevens, this comedy certainly won’t appeal to all tastes (it was a box-office flop when first released), but if you’re on its quirky wavelength, it might just strike you as one of the funniest films you’ve ever seen. –Jeff Shannon, Amazon.com
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Tags: amazon, black comedies, Bud Cort, choice, Colin Higgins, comedy, dwelling, eccentricity, Featuring, flop, funnier, funniest films, Hal Ashby, harold and maude, harold maude, humour, Import, Jeff Shannon, kind, lapels, life, love, love stories, old gal, parlour game, region, romance, Ruth Gordon, soundtrack songs, widow
Posted by Notcot on May 7, 2010 in
Cult Film
Average Rating: 4.5 / 5 (39 Reviews)
Amazon.co.uk Review
Black comedies don’t come much blacker than cult favourite, Harold and Maude (1972), and they don’t come much funnier either. It seems that director Hal Ashby was the perfect choice to mine a load of eccentricity from the original Colin Higgins script, about the unlikely romance between a death-obsessed 19-year-old named Harold (Bud Cort) and a life-loving 79-year-old widow named Maude (Ruth Gordon). They meet at a funeral, and Maude finds something oddly appealing about Harold, urging him to “reach out” and grab life by the lapels as opposed to dwelling morbidly on mortality. Harold grows fond of the old gal–she’s a lot more fun than the girls his mother desperately tries to match him up with- -and together they make Harold and Maude one of the sweetest and most unconventional love stories ever made. Much of the early humour arises from Harold’ s outrageous suicide fantasies, played out as a kind of twisted parlour game to mortify his mother, who has grown immune to her strange son’s antics. Gradually, however, the film’s clever humour shifts to a brighter outlook and finally arrives at a point where Harold is truly happy to be alive. Featuring soundtrack songs by Cat Stevens, this comedy certainly won’t appeal to all tastes (it was a box-office flop when first released), but if you’re on its quirky wavelength, it might just strike you as one of the funniest films you’ve ever seen. –Jeff Shannon, Amazon.com
Harold and Maude
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Tags: amazon, amazon co uk, Average, blacker, Bud Cort, Cat Stevens, choice, Colin Higgins, Cult, director, eccentricity, favourite, funnier, funniest films, Hal Ashby, Harold, harold and maude, humour, Jeff Shannon, lapels, load, love stories, Maude, Mine, mother, old gal, parlour game, rating, ReviewBlack, Reviews, Ruth Gordon, soundtrack songs