Emulating the style of the pulp adventure magazines of the 1920s and ’30s, Steampunk Tales contains first-run, original fiction written by an A+ list of award-winning authors. Issue 8 contains 8 stories, most running between 4,300 to 11,000 words, for an unbelievable price. In this issue:

1. Letters Between Young Ladies Of Fashionable Society, And The Alarming Events That Unfold Within — Part Four By Jillian Venters
2. A Visit from Dorian the Anarchist, part 1 by Arkwright
3. The Trials of Professor Sinister; Extracts from the Traveling Diary of Matalaine Morningside, Part 4 by Larry C. Kay
4. The Watchmaker’s Apprentice, Part 2 by Justin Porter
5. Calliope by Tonia Brown
6. Some Unforeseen Event, chapter 2 by Cindy MacLeod
7. Tales from a Millwall Tattoo Parlour, part 2 by Austin WIlliams
8. Mask of Tezcatlipoca, Part 5 by G. D. Falksen

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The original shocked the video gaming world by not only being a great first person shooter, but also an intelligent one. Now one of the greatest stories in interactive fiction is getting another chapter, with a sequel set ten years later.

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A fresh contemporary look for the first anthology to trace the strength and diversity of Gothic fiction from its origins in the eighteenth century, with authors as diverse as Edgar Allan Poe, Thomas Hardy, Jorge Luis Borges, and Angela Carter.

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A thorough and accessible guide to the Gothic genre.

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What is literary noir? How do British and American noir thrillers relate to their historical contexts? Lee Horsley’s updated study of the genre, now available in paperback, ranges over hundreds of novels from the hard-boiled fiction of Hammett, Chandler and Cain to the game-players, voyeurs and consumers of contemporary thrillers and future noir.

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Humphrey Bogart and Lauren Bacall made screen history together more than once, but they were never more popular than in this 1946 adaptation of Raymond Chandler’s novel, directed by Howard Hawks (To Have and Have Not). Bogart plays private eye Philip Marlowe, who is hired by a wealthy socialite (Bacall) to look into troubles stirred up by her wild, young sister (Martha Vickers). Legendarily complicated (so much so that even Chandler had trouble following the plot), the film is nonetheless hugely entertaining and atmospheric, an electrifying plunge into the exotica of detective fiction. William Faulkner wrote the screenplay. –Tom Keogh

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