Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

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Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

Price : £ 7.99

Read more…

Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

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THE DUD AVOCADO gained instant cult status on first publication and remains a timeless portrait of a woman hellbent on living. It is, as the GUARDIAN observes, ‘one of the best novels about growing up fast’. Sally Jay Gorce is a woman with a mission. It’s the 1950s, she’s young, and she’s in Paris. Having dyed her hair pink, she wears evening dresses in the daytime and vows to go native in a way not even the natives can manage. Embarking on an educational programme that includes an affair with a married man (which fizzles out when she realises he’s single and wants to marry her); nights in cabarets and jazz clubs in the company of assorted “citizens of the world” an entanglement with a charming psychopath; and a bit part in a film financed by a famous matador. But an education like this doesn’t come cheap. Will our heroine be forced back to the States to fulfill her destiny as a librarian, or can she keep up her whirlwind Parisian existence?

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Wake In Fright was first published in 1961 and the film version, Outback, starring Donald Pleasance was released in 1971. Both the book and the film have achieved a cult status as the Australian answer to US and UK novels and films of 1960s youthful alienation. Wake In Fright is the gruelling story of a young Australian schoolteacher on his way back from the outback to Sydney and civilisation…when things start to go wrong. He finds himself stuck overnight in Bundanyabba (‘the Yabba’)- a rough outback mining town. The heat and the misery are described in painful detail as this one evening changes the course of John Grant’s life for ever…all on the flip of a coin. An ill-advised and drink-fuelled visit to a gambling den leaves Grant broke and he realizes he has no way of escaping the Yubba. He descends into a cycle of hangovers, fumbling sexual encounters and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that his life has become…revealing the baser side of his own nature as well as the harshness of life in the Australian outback. Grotesque but absolutely compelling, this has become a cult read.

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Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

Price : £ 7.49

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With prose that is every bit as raw, intense and bitingly honest as the world it depicts, Barry Hines’ “A Kestrel for a Knave” contains a new afterword by the author in “Penguin Modern Classics”. Life is tough and cheerless for Billy Casper, a troubled teenager growing up in the small Yorkshire mining town of Barnsley. Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines’ acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world. Ken Loach’s renowned film adaptation, “Kes”, has achieved cult status and in his new afterword Barry Hines discusses his work to adapt the novel into a screenplay, and reappraises the legacy of a book that has become a popular classic. Barry Hines (b. 1939) was born in the mining village of Hoyland Common, near Barnsley, South Yorkshire.Leaving Ecclesfield Grammar School without any qualifications, Hines worked as an apprentice mining surveyor for the National Coal Board before entering Loughborough Training College to study Physical Education. Working as a teacher in Hoyland Common, he wrote novels in the school library after work, later turning to writing full-time. If you enjoyed “A Kestrel for a Knave”, you might like “The Call of the Wild, White Fang, and Other Stories” by Jack London, published in “Penguin Classics”.

Price : £ 6.29

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THE DUD AVOCADO gained instant cult status on first publication and remains a timeless portrait of a woman hellbent on living. It is, as the GUARDIAN observes, ‘one of the best novels about growing up fast’. Sally Jay Gorce is a woman with a mission. It’s the 1950s, she’s young, and she’s in Paris. Having dyed her hair pink, she wears evening dresses in the daytime and vows to go native in a way not even the natives can manage. Embarking on an educational programme that includes an affair with a married man (which fizzles out when she realises he’s single and wants to marry her); nights in cabarets and jazz clubs in the company of assorted “citizens of the world” an entanglement with a charming psychopath; and a bit part in a film financed by a famous matador. But an education like this doesn’t come cheap. Will our heroine be forced back to the States to fulfill her destiny as a librarian, or can she keep up her whirlwind Parisian existence?

Price : £ 6.99

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Mastering the Fuji X100 provides the ambitious photographer with everything they need to know to operate this camera that has become an instant classic. Readers will learn about the features and capabilities of the X100 and will discover numerous tips and tricks for how to maximize its potential. Learn how to influence dynamic range, how to optimize focus, which film simulation is best, and much more. The Fuji X100 is a premium digital viewfinder camera that combines compact size with sophisticated technical features and uncompromising optical quality. This unique camera already enjoys cult status and is used by many photographers as the ideal travel and snapshot camera. Nonetheless, the X100 is much more than an automatic snapshot camera – it is a sophisticated photographic tool. In a layout suitable to the camera’s attractive design, this manual presents convincing imagery that attests to the fun you will have as you begin to push the envelope of your Fuji X100.

Price : £ 17.09

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Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

Price : £ 6.99

Read more…