Posted by Notcot on Jan 21, 2013 in
Cult Film
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms. L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture. A volume in the series Contemporary Film Directors, edited byJames Naremore
Price : £ 14.99
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Tags: american detective, crime thriller, crystal plumage, Detective Fiction, director dario argento, gender sexuality, horror fans, horror fiction, italian film director, murder mystery novels, political norms, rational logic, supernatural horror, suspense thriller, visual narrative
Posted by Notcot on Jan 20, 2013 in
Cult Film
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms. L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture. A volume in the series Contemporary Film Directors, edited byJames Naremore
Price : £ 14.99
Read more…
Tags: american detective, Argento, Contemporary, crime thriller, crystal plumage, Dario, Detective Fiction, director dario argento, Directors, FILM, horror fans, horror fiction, italian film director, murder mystery novels, political norms, rational logic, supernatural horror, suspense thriller, visual narrative
Posted by Notcot on Jan 19, 2013 in
Cult Film
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms. L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture. A volume in the series Contemporary Film Directors, edited byJames Naremore
Price : £ 14.99
Read more…
Tags: american detective, Argento, Contemporary, crystal plumage, Dario, Directors, FILM, italian film director, murder mystery novels, political norms, rational logic, visual narrative
Posted by Notcot on Jan 18, 2013 in
Cult Film
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms. L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture. A volume in the series Contemporary Film Directors, edited byJames Naremore
Price : £ 14.99
Read more…
Tags: american detective, Argento, Contemporary, crystal plumage, Dario, Directors, FILM, italian film director, murder mystery novels, political norms, visual narrative
Posted by Notcot on Jun 5, 2010 in
Cult Film
Tags: Average, bird, crystal plumage, rating, Reviews