Vodafone McLaren Mercedes Signed Team T-Shirt WMN
Delivery directly by Team McLaren Ltd., England. Limited Edition Signed Hugo Boss Team T-ShirtA strictly limited edition of the genuine 2009 Hugo Boss Team T-shirts as worn by Lewis, Heikki and the Team at the Grands Prix. The shirts have been signed by Lewis & Heikki and are a must-have collectable for every Vodafone McLaren Mercedes enthusiast.The Hugo Boss T-shirt is constructed from a double-sided functional polyester fabric, which includes an antibacterial, quick dry function. The innovative bodymapping and panelling, seen on the shoulders, arms, sides & lower back, is created by a cut & sew technic to allow breathability in different body zones and ensures the best quality and fit when worn.This is the first time ever that pieces from the Teams own collection have been made available via our eShop.
Price : £ 149.00
Steampunk: H.G. Wells
Femme Fatales Collection [DVD] [2009] [US Import]
Bioshock/Elder Scrolls: Oblivion – Double Pack (PC DVD)
Includes:
- PC Bioshock
- PC The Elder Scrolls IV Oblivion
Celebrated and enjoyed by critics and millions of gamers alike, BioShock and The Elder Scrolls IV: Oblivion represent the highest achievements in gaming. Both games are true otherworldly experiences, transporting players to other places and other times. Presented in outstanding visuals, BioShock and The Elder Scrolls IV: Oblivion represent storytelling and gameplay at its finest. With a combined bounty of over 80 “Game of the Year” awards, both are absolute must-have experiences for any gamer’s collection.
Minimum System Requirements
OS Windows 2000/XP/Vistar> PrProcessor 2.4GHz intel Pentium 4 or intel core duo processor
Memory 1GB
Hard drive 8 GB
Video Card DirectX 9.0c Compatible 128mb video card Nvidia 6600 or better ATI x1300 or better excluding ATI X1550
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6 of 6 people found the following review helpful
Oblivion + bioshock = good value gaming, By
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This review is from: Bioshock/Elder Scrolls: Oblivion – Double Pack (PC DVD) (DVD-ROM)
Bioshock: (4/5) Beautifully portrayed shooter set in a steampunk-esque 50s enviroment, graphics are fantastic and don’t require a supercomputer to run (I had this working with full visuals on an older dualcore 2.1Ghz AMD system with 2GB of RAM and a mid-range ATI 256MB card). Enemy AI is challenging, weapons are varied and the inclusion of puzzles (though not necessary for the majority of gameplay, just beneficial) makes for a cracking experience. Not great re-playability as you know where enemies are, solutions for puzzles etc. Definitely a good game though Oblivion: (3/5) You will need a supercomputer for this one. Graphics are spellbinding (especially with some user-mods that tweak wilderness visuals and lighting), though I often get the feeling with this (as well as with Morrowind and other Bestheda games) that a little more time in production would have turned a very good game into a phenomenal one. It’s only little niggles; minor bugs, the occasional AI glitch, remainders of abandoned ideas (usually in the form of discovered quest items that aren’t implemented at any point) and the vocal acting. The latter is actually quite a major niggle. This could have been an incredibly immersive game, if only for the wholly inconsistent dialogue. Efforts have been made for NPCs to converse “spontaneously” but with a limited bank of dialogue, they are often nonsensical and you can hear the NPCs switch voices like a schizophrenic with head trauma most of the time. You’ll have walked out of a particularly hard dungeon, walk into a town feeling like a triumphant hero with enough loot to start a small colony of your own…then have this moment of immersion unwillingly tugged away by having a beggar switch from gravelly street urchin to well-schooled peasant with a couple of clicks of the mouse. Character customisation is bananas, you can sculpt a persona as you please. And with the amount of enchantable armour and weapons in this game, this is a continuous thread. One huge huge huge problem with this game though is the levelling system. It is frankly bonkers. In order to create a strong character you have to jump through some serious hoops. Let’s say a sneaky archer type in this instance. If you simply chose skills and attributes to support this initially, playing through (not surprisingly) as a sneaky archer type, you’d assume that the game would allow you to build up your character suitably and although you wouldn’t be a tank, you would still be on-par with enemy NPCs in terms of attack and general survivability? No, you would wind up at around level 30 (with no more scope for character growth) with far lower health/attack than enemies and have an initially fun game turn utterly infuriating. In order to not end up being repeatedly eaten alive by frickin wildlife, you have to take your stealthy character and spend a multitude of in-game hours endlessly buffing their meleé combat statistics so they have slightly more health than a passing gnat (“but I thought I was a sneaky archer type?!” I hear you think), which makes for some serious tedious gameplay. Worse than that, this sneaky archer type is now brandishing an axe and clumping about in heavy armour; forcing you to play distinctly differently to how you wanted to…until you’ve maxed your warrior skills THEN you can carry on with your notions of being a stealthy character…which rather defeats the idea of choosing any attributes in the first place, as you’ll have to go completely against them initially to make any headway. This was, thankfully, resolved in Fallout 3…but until a mod comes out that fixes this reliably, I would have to say this was a major downer on this otherwise good game. The two together are a steal at this price, both are good fun and despite my grievances against Oblivion’s inane levelling system, it more than makes up with a compelling storyline, more quests and playable environment than you can shake a stick at.
4 of 4 people found the following review helpful
Brilliant Value – Good packaging,
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This review is from: Bioshock/Elder Scrolls: Oblivion – Double Pack (PC DVD) (DVD-ROM)
Just a quick note about this. The games are fantastic, so not much to say there. The Package comes in a jumbo sized dvd case (double-thickness) with the 2 discs on one side, and BOTH, yes both manuals and the Oblivion map on the other. I was very pleasantly surprised by this as I was fully expecting pdf manuals. Old school possibly, but I still like having a booklet with my games. Thoroughly recommended – if you haven’t played either of these grab the package now. Both have a brilliant story and gameplay, but also look amazing.
8 of 9 people found the following review helpful
Two fantastic titles in one box,
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This review is from: Bioshock/Elder Scrolls: Oblivion – Double Pack (PC DVD) (DVD-ROM)
To begin i cannot convey what good value to believe this box to be, it contains two brilliant games namely bioshock and oblivion. |
Humphrey Bogart Silver Screen Collection [DVD]
BioShock (Platinum Collection) [Japan Import]
BioShock (Platinum Collection). All our games are in Japanese Format (NTSC-J). Japanese (Box,package & manual written in Japanese)
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The Coffin Joe Collection [DVD]
David Lean Collection [DVD]
Lawrence of Arabia
In David Lean’s masterful “desert classic,” Peter O’Toole gives a star-making performance as T.E. Lawrence, the eccentric British officer who united the desert tribes of Arabia against the Turks during World War I. Lean orchestrates sweeping battle sequences and breathtaking action, but the film is really about the adventures and trials that transform Lawrence into a legendary man of the desert. Lean traces this transformation on a vast canvas of awesome physicality; no other movie has captured the expanse of the desert with such scope and grandeur. Equally important is the psychology of Lawrence, who remains an enigma even as we grasp his identification with the desert. Perhaps the greatest triumph of this landmark film is that Lean has conveyed the romance, danger, and allure of the desert with such physical and emotional power. It’s a film about a man who leads one life but is irresistibly drawn to another, where his greatness and mystery are allowed to flourish in equal measure. –Jeff Shannon
The Bridge on the River Kwai
Director David Lean’s masterful 1957 realization of Pierre Boulle’s novel remains a benchmark for war films, and a deeply absorbing movie by any standard–like most of Lean’s canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre. The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor’s demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story’s thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an American escapee (William Holden), supplies the story’s suspense and forward momentum. Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivors of latter-day, high-concept blockbusters might find lulling–Lean doesn’t pander to attention deficit disorders with an explosion every 15 minutes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extraordinary performances. Hayakawa’s cruel camp commander is gradually revealed as a victim of his own sense of honor, Holden’s callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production’s seven wins) disappears as only he can into Nicholson’s brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment–story, character, and image coalescing with explosive impact. –Sam Sutherland
A Passage to India
This adaptation of E.M. Forster’s mysterious tale of British racism in colonial India turned out to be master director David Lean’s final film. Subtle and grand at the same time, Lean’s adaptation is faithful to the book, rendering its blend of the mystical and the all-too human with exquisite precision. Judy Davis plays a young British woman traveling in India with her fiancé’s mother. While visiting a tourist attraction, she has a frightening moment in a cave–one that she eventually spins from an instant of mental meltdown into a tale of a physical attack that ruins several lives. Lean captures Forster’s sense of awe at the kind of ageless wisdom and inexplicable phenomena to be encountered in India, as well as the British tendency to dismiss it all as savage, rather than simply different. –Marshall Fine
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