DURAGADGET

Our new leather case for the Amazon Kindle 3 Graphite protects your Kindle and enhances its use.

The soft leather outer acts as a tactile barrier protecting from knocks and scratches whilst out and about. 


The inside of the case is constructed of tough PU Leather to form a protective frame around your Kindle.


The in-built stand allows you to place your Kindle on a desk, table or any other surface you wish without the need to hold it. 


The adjustable arm allows a wide range of angles so you can achieve your perfect reading experience.

Available in four fashionable colours: BLACK – RED – PINK – WHITE

SEARCH FOR “DURAGADGET” to see our range of consumer electronics accessories.

• Soft genuine leather outer gives tactile and aesthetic appeal and protects your Kindle whilst the PU Leather intererior adds strength and durability to the case
• Cut outs for all controls, no need to remove your Kindle to use it, all buttons and connectors are exposed.
• Built in multi angle stand function allows you to read at your preferred angle without having to hold the device, ideal for the train, dining table or on your lap.
• Covered by DURAGADGET’s no quibble returns policy if your not 100% delighted with the case.

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The Heathers are a clique of bitchy classmates in this dark comedy from 1989. The film itself was a good showcase for Winona Ryder, the Queen of Teen in the late 1980s, playing a high-school girl forced into the social world of “the Heathers”, and Christian Slater, doing his early Jack Nicholson thing. While Ryder’s character muddles over the consequences of giving up one set of friends for another, her association with the new boy in school (Slater) turns out to have deadly consequences. Director Michael Lehmann turned this unusual film into something more than another teen-death flick. There is real wit and sharp satire afoot, and the fusion of horror and comedy is provocative in itself. Heathers remains a kind of benchmark in contemporary cinema for bringing surreal intelligence into Hollywood films. –Tom Keogh, Amazon.com

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When Goldie Hawn recommended Elizabeth Berkley for a small role in First Wives Club, she publicly stated that Berkley deserved the opportunity to redeem herself after starring in the ridiculous Showgirls. That says it all: this sleazy, stupid movie, which mixes soft pornography with the clichés of backstage dramas, is the kind of project an aspiring actress would have to put well behind her to keep a career going (though co-star Gina Gershon certainly benefited from her, uh, exposure in the film). Berkley plays a drifter who hitches a ride to Las Vegas, becomes a lap dancer and then a performer, and discovers–gasp!–there’s a whole world of sex and violence involved with these things. Gershon is probably the best element in the film, playing Berkley’s bisexual rival for the big spotlight on stage. Joe Eszterhas was well overpaid for writing this howler, and director Paul Verhoeven (Basic Instinct) should have known better than to take it seriously. –Tom Keogh, Amazon.com

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Black comedies don’t come much blacker than cult favourite, Harold and Maude (1972), and they don’t come much funnier either. It seems that director Hal Ashby was the perfect choice to mine a load of eccentricity from the original Colin Higgins script, about the unlikely romance between a death-obsessed 19-year-old named Harold (Bud Cort) and a life-loving 79-year-old widow named Maude (Ruth Gordon). They meet at a funeral, and Maude finds something oddly appealing about Harold, urging him to “reach out” and grab life by the lapels as opposed to dwelling morbidly on mortality. Harold grows fond of the old gal–she’s a lot more fun than the girls his mother desperately tries to match him up with- -and together they make Harold and Maude one of the sweetest and most unconventional love stories ever made. Much of the early humour arises from Harold’ s outrageous suicide fantasies, played out as a kind of twisted parlour game to mortify his mother, who has grown immune to her strange son’s antics. Gradually, however, the film’s clever humour shifts to a brighter outlook and finally arrives at a point where Harold is truly happy to be alive. Featuring soundtrack songs by Cat Stevens, this comedy certainly won’t appeal to all tastes (it was a box-office flop when first released), but if you’re on its quirky wavelength, it might just strike you as one of the funniest films you’ve ever seen. –Jeff Shannon, Amazon.com

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• The leather cover adds style, personalization and protects your ebook reader from bumps, scratches, and falls
• Magnetic flap closure, with interior room for 2 sd card slots
• Easy access and removability of your e reader
• Full access to all functions & charging while cased including access to screen functions
• Under a full 10 year warranty

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When Goldie Hawn recommended Elizabeth Berkley for a small role in First Wives Club, she publicly stated that Berkley deserved the opportunity to redeem herself after starring in the ridiculous Showgirls. That says it all: this sleazy, stupid movie, which mixes soft pornography with the clichés of backstage dramas, is the kind of project an aspiring actress would have to put well behind her to keep a career going (though co-star Gina Gershon certainly benefited from her, uh, exposure in the film). Berkley plays a drifter who hitches a ride to Las Vegas, becomes a lap dancer and then a performer, and discovers–gasp!–there’s a whole world of sex and violence involved with these things. Gershon is probably the best element in the film, playing Berkley’s bisexual rival for the big spotlight on stage. Joe Eszterhas was well overpaid for writing this howler, and director Paul Verhoeven (Basic Instinct) should have known better than to take it seriously. –Tom Keogh, Amazon.com

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This quality 1.2m cable connects your iPod, iPhone 3G(S) + 4G, mp3 player or phone to your car via the aux in socket (present on many modern cars). This allows you to listen to your music from the iPod through your car’s stereo system with excellent sound quality. The cables have a robust design with dual moulded connecters – this means they last longer than other cheaper cables and so do not need replacing. The cables also have 24k gold plated connectors and a low loss wire core to ensure great sound quality that lasts. They are ROHS compliant meaning they fully comply with the latest European standards. The cables are compatible with cars which have a 3.5 mm aux input into stereo. These look like headphone sockets and may be located in the stereo unit, glove box or centre console. Most new cars now have these inputs, as well as many older Fords, BMW’s, Toyotas, Mercedes and Seat models. If you are not sure about compatibility just send us a message through Amazon. The cables can also be used to connect PC’s with headphone sockets to speaker systems or iPods to music centers / digital radios etc. If you are concerned about quality, look at this items feedback rating. You can also click on incarcables above to see our recent seller feedback. The cable is compatible with ALL iPods and the more recent 3G, 3GS and 4G iPhone. It is also compatible with pretty much every mp3 player. The only thing it will not work with is the original iPhone. It will also not work with the new (4G) iPod nano when the dock connector cable is plugged in at the same time. This cable (1.2m) is our most popular size. We also have 50cm and 30cm available!

• Connect your iPod, iPhone 3G(S) + 4G or mp3 player to your car or home stereo!
• Premium high quality cable with 24k gold plated connectors + low loss wire core
• Very durable design, will not fall apart like cheaper cables. Fully ROHS compliant
• 1.2m in length (50cm and 30cm also available on amazon) Comes with helpful instructions and tips for use.
• Excellent Amazon feedback, see below! This cable is of real quality – DO NOT BE FOOLED BY IMITATION LISTINGS WHO COPY OUR TEXT

Car Stereo Auxiliary AUX-IN input Lead Cable 3.5mm for iPod, iPhone 3G, 3GS + 4G and mp3 players (1.2m) <- Read More

Of all the Philip Marlowes, Robert Mitchum’s in Farewell, My Lovely resonates most deeply. That’s because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler’s legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum’s renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he’s disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) –Bill Desowitz, Amazon.com

Farewell My Lovely [DVD] [1975] <- Read More Buy Now for £9.99 (Best Price)