MediaDevil’s Magicscreen screen protector: Crystal Clear edition protects your screen from scratches and leaves no markings when removed. It does not reduce the touch sensitivity of the device screen.
An essential accessory that is also available in Matte Clear (Anti-Glare) and Privacy editions.

Please Note: This particular product includes 2 x FRONT screen protectors. We now also sell Crystal Clear and Matte Clear edition iPhone 4/4S Back protector packs, and here are the product links:
http://www.amazon.co.uk/gp/product/B004R2V1SC
http://www.amazon.co.uk/gp/product/B006O429OQ

When Magicscreen is applied to this device, the device is still completely compatible with MediaDevil’s Magicwand touch screen stylus. Here is the Amazon product link:
http://www.amazon.co.uk/gp/product/B0058DXA4W

Your satisfaction is really important to us, and we will do our best to help ensure that you are a happy MediaDevil customer.

• Easy to apply: no cutting required. Invisible once applied to the screen
• Bonds firmly to screen; easily removed and re-applied
• Protects against scratches, and leaves no markings when removed
• Compatible with MediaDevil’s Magicwand capacitive touch screen stylus
• Also available in Matte Clear (Anti-Glare) and Privacy editions

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This can be used as a normal carry case, or as a car harness to hang the portable DVD player / Portable TV between two car seats (or behind one seat); suit for most portable DVD players in the market with 7″ or 8″ screens. Allcam also stock the carry case/car harness for 9″ to 10″ portable DVD players: you can buy from Amazon via this page:

http://www.amazon.co.uk/exec/obidos/ASIN/B000UGMZU2/202-9864319-2156650

• Suitable for most 7″ to 8″ Portable DVD Players & Portable TVs
• Carry Case / Car Harness 2-in-1
• Convenient holes on each side for headphone & power input cables
• Hang Between two seats (Portable DVD open at 90 degrees) or behind one seat (Portable DVD open flat) only
• Extra Pockets to store DVDs, Spare Battery, headphones and etc.

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Amazon.co.uk Review
If you’re setting up a network, you are going to need a switch to sit at the centre of your network amd direct communications between computers. Netgear’s Platinum Series 5 Port 10/100 Switch FS605 is a five-port switch, so you can connect up to five computers. It supports fast Ethernet, running at 100 Mbps, but is also compatible with the slower Ethernet standard at 10 Mbps.

A switch is a device to which all computers in a network or section of a network send their data. A switch works out which computer should receive the data and sends it out to just that port. This is different from a hub, which directs everything it receives to all available ports, leaving it up to the receiving computers to work out if the data is intended for them.

It shouldn’t be hard to see that a switch is a lot quicker than a hub. All ports on a switch have the potential to run at the full speed of the network to which they’re connected. In a hub, the top speed of any port is the speed of the network divided by the number of ports in the hub. There’s also a limit to the number of hubs you can connect together to extend a network–there’s no such limit when connecting switches.

The FS605, about the size of a Pocket PC or portable CD drive, has a set of six LEDs on its front edge. The first shows when the power from the separate mains power pack is connected, while the other five show when individual ports in the switch are active. They shine yellow for an Ethernet connection and green for a fast Ethernet one, and flash as data passes through them.

You can position this Netgear switch horizontally on the desktop or vertically using the stand provided or wall-mounting. With all recent versions of Windows, all the software you need to set up a network is built into the operating system and no extra programs are needed or supplied by Netgear.

Should you need to connect the FS605 to another switch to extend your network, you don’t need to worry about using special cables or designating one of the ports as an uplink between the two switches. This device is intelligent enough to work it out itself and any of the five ports will automatically switch to an uplink mode as required. –Simon Williams

Netgear FS605 Platinum Series 5 Port 10/100 Unmanaged Switch

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Amazon.co.uk Review
Humphrey Bogart and Lauren Bacall made screen history together more than once, but they were never more popular than in this 1946 adaptation of Raymond Chandler’s novel, directed by Howard Hawks (To Have and Have Not). Bogart plays private eye Philip Marlowe, who is hired by a wealthy socialite (Bacall) to look into troubles stirred up by her wild, young sister (Martha Vickers). Legendarily complicated (so much so that even Chandler had trouble following the plot), the film is nonetheless hugely entertaining and atmospheric, an electrifying plunge into the exotica of detective fiction. William Faulkner wrote the screenplay. –Tom Keogh

The Big Sleep

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Amazon.co.uk Review
This unclassifiable but stunningly original film obliterates the walls between teen comedy, science fiction, family drama, horror, and cultural satire–and remains wildly entertaining throughout. Jake Gyllenhaal (October Sky) stars as Donnie, a borderline-schizophrenic adolescent for whom there is no difference between the signs and wonders of reality (a plane crash that decimates his house) and hallucination (a man-sized, reptilian rabbit who talks to him). Obsessed with the science of time travel and acutely aware of the world around him, Donnie is isolated by his powers of analysis and the apocalyptic visions that no one else seems to share. The debut feature of writer-director Richard Kelly, Donnie Darko is a shattering, hypnotic work that sets its own terms and gambles–rightfully so, as it turns out–that a viewer will stay aboard for the full ride. –Tom Keogh

Donnie Darko / Donnie Darko Director’s Cut

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Amazon.co.uk Review
A milestone of the silent film era and one of the first “art films” to gain international acclaim, this eerie German classic from 1919 remains the most prominent example of German expressionism in the emerging art of the cinema. Stylistically, the look of the film’s painted sets–distorted perspectives, sharp angles, twisted architecture–was designed to reflect (or express) the splintered psychology of its title character, a sinister figure who uses a lanky somnambulist (Conrad Veidt) as a circus attraction. But when Caligari and his sleepwalker are suspected of murder, their novelty act is surrounded by more supernatural implications. With its mad-doctor scenario, striking visuals, and a haunting, zombie-like character at its centre, Caligari was one of the first horror films to reach an international audience, sending shock waves through artistic circles and serving as a strong influence on the classic horror films of the 1920s, 30s, and beyond. It’s a museum piece today, of interest more for its historical importance, but The Cabinet of Dr Caligari still casts a considerable spell. –Jeff Shannon, Amazon.com

Das Cabinet Des Dr Caligari

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Amazon.co.uk Review
This sensational, extremely influential, 1974 low-budget horror movie directed by Tobe Hooper (Poltergeist, Lifeforce, Salem’s Lot), may be notorious for its title, but it’s also a damn fine piece of moviemaking. And it’s blood-curdling scary, too. Loosely based on the true crimes of Ed Gein (also a partial inspiration for Psycho), the original Jeffrey Dahmer, Texas Chainsaw Massacre follows a group of teenagers who pick up a hitchhiker and wind up in a backwoods horror chamber where they’re held captive, tortured, chopped up, and impaled on meat hooks by a demented cannibalistic family, including a character known as Leatherface who maniacally wields one helluva chainsaw. The movie’s powerful sense of dread is heightened by its grainy, semi-documentary style–but it also has a wicked sense of humour (and not that camp, self-referential variety that became so tiresome in subsequent horror films of the 70s, 80s and 90s). OK, in case you couldn’t tell, it’s “not for everyone”, but as a landmark in the development of the horror/slasher genre, it ranks with Psycho, Halloween, and A Nightmare on Elm Street. –Jim Emerson

The Texas Chain Saw Massacre – The Seriously Ultimate Edition

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Amazon.co.uk Review
The Abominable Dr Phibes is an unusually beautiful horror classic in which Vincent Price stars as the titular genius who specialises in organ music, theology and concocting bizarre deaths for anyone who wrongs him. Discovering why is half the fun, so for now let’s just say that Phibes is a little mad and very, very angry. Aided by his assistant, the lovely, silent Vulnavia, Phibes begins cutting a gory swathe through London’s medical community, with the dogged Inspector Trout hot on his tail. The film contains many pleasures–exquisite art direction and a dark sense of humour among them–but the real treat is in watching an old pro such as Price at work. Whether he’s playing his organ, staring down a victim or drinking through his neck, Price is at the top of his game. He mixes dark menace with wry comic touches, revealing both Phibes’ maniacal obsession and offhanded confidence in his own genius. Settle in for an evening of elegant gore–and if an attractive, mute deliverywoman comes to the door, whatever you do, don’t answer! –Ali Davis

The Abominable Dr. Phibes

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Amazon.co.uk Review
Federico Fellini’s 1972 ode to the city of Rome is far from a coherent narrative, but as a selection of images and sounds celebrating the famed Italian capital, it’s dazzling and hugely enjoyable. Stylistically, it’s a perfect bridge between the excesses of Satyricon and the nostalgia of Amarcord, and it showcases the true love that Fellini had for the Eternal City. Mixing autobiographical flashbacks with the travails of a present-day movie company making a film about the city (headed up by Fellini himself), Roma is an impressionistic tour de force, delivered via Fellini’s unique cinematic vision. If you can’t tolerate Fellini’s larger-than-life approach, the sometimes-garish colours, or the circus atmosphere, you’ll probably find Roma insufferable. But fans of Fellini will be in seventh heaven, especially during some of the wonderful set pieces–a music dance hall performance that’s interrupted by bombing during World War II; a papal fashion show that’s so surreal it must be seen to be believed; and a breathtaking sequence in which the film crew, tagging along with an archaeological dig, happens upon an ancient Roman catacomb and watches as the beautiful murals disintegrate before their eyes. Through it all, Fellini’s passion for Rome (and moviemaking) shines through, especially in the film’s climax, a dialogue-free sequence of motorcycles roaring through the city at night, a tour that ends at the magnificent Colosseum. At that marriage of past and present, Roma is about as perfect as cinema can get. –Mark Englehart

Fellini’s Roma

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