• Apple has combined all of its knack and ingenuity to bring you the new iPod shuffle, available in a selectionof trendy and vibrant colours
• With its sleek and polished aluminum body, the new iPod shuffle is the latest fashion accessory
• Solid and durable, it’sthe ideal companion for passing the time spent commuting or for getting you pumpedup during your workout
• An added bonus is that it easily clips onto bags andjackets without ever missing a beat! With its 2 GB of storage, the iPodshuffle can stock hundreds of songs

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• Storage capacity: 2 GB
• Player media type: Flash memory
• Compatible memory cards: N
• Audio compression formats: MP3;AAC;WAV
• Frequency response: 20 – 20000 Hz

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Portable Audio MP3

• Storage capacity: 2 GB
• Player media type: Flash memory
• Compatible memory cards: N
• Audio compression formats: MP3;AAC;WAV
• Frequency response: 20 – 20000 Hz

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• Storage capacity: 2 GB
• Player media type: Flash memory
• Compatible memory cards: N
• Audio compression formats: MP3;AAC;WAV
• Frequency response: 20 – 20000 Hz

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• Storage capacity: 32 GB
• Player media type: Flash memory
• Compatible memory cards: N
• Audio compression formats: MP3;AAC;WAV
• Built-in microphone: Y

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• Storage capacity: 2 GB
• Player media type: Flash memory
• Compatible memory cards: N
• Audio compression formats: MP3;AAC;WAV
• Frequency response: 20 – 20000 Hz

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It might be lower key and less overtly comedic than you may be expecting from Ricky Gervais and Stephen Merchant, but there are plenty of reasons nonetheless to commend their nostalgic 70s drama Cemetery Junction. Leaving behind the style of comedy the pair fine-tuned to perfection with The Office, Cemetery Junction instead concerns itself with telling the story of three young men.

These men all live in their home town of Cemetery Junction, each working for an insurance company. Joining them there is their boss, played by Ralph Fiennes, with the cast also fleshed out by the likes of Emily Watson, Gervais himself and the terrific Matthew Goode.

But it’s Christian Cooke who catches the eye in what turns out to be the lead role of Freddie. It’s Freddie’s evolving professional and personal life that forms the core of the narrative, and laced with some fine comedic moments, he anchors the film well. It helps that Gervais and Merchant are so focused on how to put across the story, with the dingy style of 70s Britain captured terrifically well.

It’s quite a low key project, perhaps, and it doesn’t tread too much in the way of new ground. But Cemetery Junction is nonetheless fine work, and a quality British movie. It’s well worth seeking out. –Jon Foster

Stills from Cemetery Junction (click for larger image)

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It really shouldn’t work. A black comedy that’s basically about four terrorists, planning an atrocity on UK soil? That’s surely a film that’s designed to wind up tabloid newspapers? In the wrong hands, it certainly could have been. But under the diligent stewardship of Chris Morris, Four Lions emerges as one of the best films of the year.

It’s a perfectly pitched, at times rightly uncomfortable comedy, that brings together a quartet of inept terrorists, who when we meet them, can’t even put a video together without it falling into farce. It’s an opening scene that sets up Four Lions perfectly. And led by the terrific Riz Ahmed and the scene-stealing Nigel Lindsay, the company of actors rise to the challenge that Chris Morris sets them.

Four Lions isn’t a perfect film, though. The tone is a little uneven at times, and it’s very much one that’s going to feel more at home on a television than a cinema screen. But it’s still a daring, risky and at times extremely funny piece of work. And it’s one not afraid to pull the rug on you, either, never shielding itself away from the undercurrents of its subject matter. It’s the most ambitious comedy in a long, long time, and it’s credit to all concerned that it works as well as it does. –Simon Brew

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