i”?Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner’s replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe.Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Cafe Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world’s most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesus Franco, Lloyd Kaufman, Harry Kumel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

Price : £ 13.68

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i”?Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner’s replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe.Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Cafe Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world’s most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesus Franco, Lloyd Kaufman, Harry Kumel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

Price : £ 13.68

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i”?Some films should never have been made. They are too unsettling, too dangerous, too challenging, too outrageous and even too badly made to be let loose on unsuspecting audiences. Yet these films, from the shocking Cannibal Holocaust to the apocalyptic Donnie Darko, from the destructive Tetsuo to the awfully bad The Room, from the hilarious This Is Spinal Tap to the campy Showgirls, from the asylum of Das Cabinet des Dr. Caligari to the circus of Freaks, from the gangs of The Warriors to the gangsters of In Bruges and from the flamboyant Rocky Horror Picture Show to the ultimate cool of The Big Lebowski, have all garnered passionate fan followings. Cult cinema has made tragic misfits, monsters and cyborgs, such as Edward Scissorhands or Blade Runner’s replicants, heroes of our times. 100 Cult Films explains why these figures continue to inspire fans around the globe.Cult film experts Ernest Mathijs and Xavier Mendik round up the most cultish of giallo, blaxploitation, anime, sexploitation, zombie, vampire and werewolf films, exploring both the cults that live hidden inside the underground (Nekromantik, Cafe Flesh) and the cult side of the mainstream (Dirty Dancing, The Lord of the Rings, and even The Sound of Music). 100 Cult Films is a true trip around the world, providing a lively and illuminating guide to films from more than a dozen countries, across nine decades, representing a wide range of genres and key cult directors such as David Cronenberg, Terry Gilliam and David Lynch. Drawing on exclusive interviews with some of the world’s most iconic cult creators and performers, including Dario Argento, Pupi Avati, Alex Cox, Ruggero Deodato, Jesus Franco, Lloyd Kaufman, Harry Kumel, H. G. Lewis, Christina Lindberg, Takashi Miike, Franco Nero, George A. Romero and Brian Yuzna, and featuring a foreword by cult director Joe Dante, 100 Cult Films is your ultimate ticket to the midnight movie show.

Price : £ 13.68

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One of the most beloved children’s classics of all time, Lewis Carroll’s “Alice’s Adventures in Wonderland” is boldly reinterpreted by Camille Rose Garcia, whose dark yet whimsical style has won her resounding praise and an international cult following. The story of a young girls’ strange adventures in a fantasy world comes to life in this stunning, affordably priced edition that will delight the many millions of confirmed Alice fans everywhere and captivate a new generation. The publication of “Alice’s Adventures in Wonderland” will coincide with the release of Tim Burton’s 2010 film starring Johnny Depp, Alan Rickman, Helena Bonham-Carter, and Anne Hathaway among others – and the Hollywood buzz has predicted it will be one of the year’s biggest hits. The recent success of Collins Design’s publication of “The Curious Case of Benjamin Button” by F. Scott Fitzgerald – published in sync with the release of David Fincher’s Academy Award-winning film – indicates there is an enormous market for creative interpretations of literary classics.This new, imaginatively illustrated edition holds even greater promise, with an enormous fan base, long literary history, and the timing of its publication with the film. Alice is going Goth – and her adventures are more wondrous than ever before.

Price : £ 8.25

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Most Hollywood biographies are little more than 500-page musings on the ‘when-I-met…’ theme, filled with famous names, love affairs and cliches of a ‘meteoric rise’ or ‘tragic fall’. Bruce Campbell’s If Chins Could Kill: Confessions of a B Movie Actor is the boisterous antidote to such convention. Campbell is the ultimate ‘B’ Movie actor. Star of the cult Evil Dead trilogy, with a CV that ranges from buddy Sam Raimi’s Spider-Man, through The X-Files and Xena: Warrior Princess, to the less-than-glamorous Aqua Teen Hunger Force Colon Movie Film for Theaters, you’ve probably never heard of him. But his is one heck of a story! The popularity of Bruce, the cult hero of cable TV and Hollywood’s second rung, is burning brighter than ever, his legion of fans undiminished after over thirty years. Insightful, encouraging and brilliantly funny, If Chins Could Kill! is a brilliant place to start for those unfamiliar with his work. For everyone else, it acts as a wonderful reminder for just why they fell in love with him in the first place.

Price : £ 9.09

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Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

Price : £ 7.49

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Every movie in this book is a gem that every discerning film buff should know about. Although a few might be familiar – “Barbarella”, “Un Chien Andalou”, “The Blues Brothers” – most will be unfamiliar, and all will boast a small but devoted fanbase. So, just what makes a cult movie? Typically, these movies are independently made on a small budget and were never expected by their creators to attract a broad audience: the eccentricity of the film making or story telling, the controversial stance taken, or the narrow appeal of the subject matter guaranteed that their appeal was limited. Some movies achieve cult status long after their release. Neither commercially nor critically successful at the time, these movies were too revolutionary, fashionable, or simply badly made to find an appreciative audience. Movies, such as “Harold and Maude” and “Plan 9 From Outer Space”, languished unnoticed until a small, devoted group from a later generation discovered them and declared them cool. A few movies, such as “The Rocky Horror Picture Show”, originally attracted cult status, even though they were made by a major studio, owing to their dark, controversial, or offbeat subject matter.As tastes changed and tolerance increased, these films went on to appeal to a much wider audience and to gain commercial success without ever losing their cult status. With insight from critics, film historians, and academics from around the world, “101 Cult Movies You Must See Before You Die” is a homage to a century filled with 50-foot women, alcohol-fueled binges, surreal imaginary friends, flying pink elephants, and improbably large arachnids.

Price : £ 7.49

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Born in 1957 in Deptford, south London, Danny’s first job after dropping out of school at the age of 15 was in One Stop Records, a small record shop in London’s West End, frequented by Elton John and Mick Jagger, a store rather like the one in High Fidelity. His career in print journalism began in 1976 when he co-founded the fanzine Sniffin’ Glue leading to an offer from the New Musical Express, where his first job was as a receptionist. Soon after, Baker was contributing regular astute articles, reviews and later interviews to the publication. Danny then began making 30-minute documentaries at LWT for the cult series 20th Century Box, and appeared in two television commercials: Daz washing powder and Mars bar chocolate. His stellar career on the radio began on BBC GLR in 1989, then moved to BBC Radio 5 where he presented sports shows including the groundbreaking 6-0-6, which still influences the media’s approach to criticism of players, managers and referees. He also worked on BBC Radio 1, back to BBC GLR, Talk Radio and later on Virgin Radio.On his return to BBC last May, Danny won ‘Sony Radio Personality of the Year’ and appeared on Desert Island Discs last July. Six months earlier he had gone public on his cancer and chemotherapy treatment, and thankfully all seems well. Danny Baker currently presents a weekday show at BBC London 94.9, which features phone-ins and discussions with his on-air team regarding music and entertainment of the 1960s and 1970s, and a Saturday morning show on BBC Radio 5. This book charts Danny’s showbiz career, the highs and lows, and everything in between, including the accusation that he killed Bob Marley…

Price : £ 11.39

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Born in 1957 in Deptford, south London, Danny’s first job after dropping out of school at the age of 15 was in One Stop Records, a small record shop in London’s West End, frequented by Elton John and Mick Jagger, a store rather like the one in High Fidelity. His career in print journalism began in 1976 when he co-founded the fanzine Sniffin’ Glue leading to an offer from the New Musical Express, where his first job was as a receptionist. Soon after, Baker was contributing regular astute articles, reviews and later interviews to the publication. Danny then began making 30-minute documentaries at LWT for the cult series 20th Century Box, and appeared in two television commercials: Daz washing powder and Mars bar chocolate. His stellar career on the radio began on BBC GLR in 1989, then moved to BBC Radio 5 where he presented sports shows including the groundbreaking 6-0-6, which still influences the media’s approach to criticism of players, managers and referees. He also worked on BBC Radio 1, back to BBC GLR, Talk Radio and later on Virgin Radio.On his return to BBC last May, Danny won ‘Sony Radio Personality of the Year’ and appeared on Desert Island Discs last July. Six months earlier he had gone public on his cancer and chemotherapy treatment, and thankfully all seems well. Danny Baker currently presents a weekday show at BBC London 94.9, which features phone-ins and discussions with his on-air team regarding music and entertainment of the 1960s and 1970s, and a Saturday morning show on BBC Radio 5. This book charts Danny’s showbiz career, the highs and lows, and everything in between, including the accusation that he killed Bob Marley…

Price : £ 11.39

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Born in 1957 in Deptford, south London, Danny’s first job after dropping out of school at the age of 15 was in One Stop Records, a small record shop in London’s West End, frequented by Elton John and Mick Jagger, a store rather like the one in High Fidelity. His career in print journalism began in 1976 when he co-founded the fanzine Sniffin’ Glue leading to an offer from the New Musical Express, where his first job was as a receptionist. Soon after, Baker was contributing regular astute articles, reviews and later interviews to the publication. Danny then began making 30-minute documentaries at LWT for the cult series 20th Century Box, and appeared in two television commercials: Daz washing powder and Mars bar chocolate. His stellar career on the radio began on BBC GLR in 1989, then moved to BBC Radio 5 where he presented sports shows including the groundbreaking 6-0-6, which still influences the media’s approach to criticism of players, managers and referees. He also worked on BBC Radio 1, back to BBC GLR, Talk Radio and later on Virgin Radio.On his return to BBC last May, Danny won ‘Sony Radio Personality of the Year’ and appeared on Desert Island Discs last July. Six months earlier he had gone public on his cancer and chemotherapy treatment, and thankfully all seems well. Danny Baker currently presents a weekday show at BBC London 94.9, which features phone-ins and discussions with his on-air team regarding music and entertainment of the 1960s and 1970s, and a Saturday morning show on BBC Radio 5. This book charts Danny’s showbiz career, the highs and lows, and everything in between, including the accusation that he killed Bob Marley…

Price : £ 11.39

Read more…