Released in 1970, Performance starred James Fox, Mick Jagger and Anita Pallenberg. Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by the mysterious Mr Turner, a one-time rock superstar, who is looking for the right spark to rekindle his faded talent. A thorough analysis of the making of the film featuring original interviews with those involved. How Performance came about and the involvement of key players such as James Fox who journeyed into the criminal underworld and how real gangsters were involved in the research for the film. Reveals how Marlon Brando was originally considered for the role of Chas. The various conflicts and intrigues that arose during filming, how the film was edited, the censorship pressures, the unseen footage and how it eventually made its way to the big screen. Critical reaction to the film and how it turned into a cult classic. An overview of the careers to date of directors Donald Cammell and Nicolas Roag.

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This is the first play adaptation of the classic novel and cult film. It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs Robinson California in the 60s. Benjamin’s got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him…A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin’s disastrous sexual odyssey is brought vividly to life in this world stage premiere production.”Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety” (Guardian)

Price : £ 9.99

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This is the first play adaptation of the classic novel and cult film. It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs Robinson California in the 60s. Benjamin’s got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him…A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin’s disastrous sexual odyssey is brought vividly to life in this world stage premiere production.”Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety” (Guardian)

Price : £ 9.99

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This is the first play adaptation of the classic novel and cult film. It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs Robinson California in the 60s. Benjamin’s got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him…A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin’s disastrous sexual odyssey is brought vividly to life in this world stage premiere production.”Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety” (Guardian)

Price : £ 9.99

Read more…

This is the first play adaptation of the classic novel and cult film. It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs Robinson California in the 60s. Benjamin’s got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him…A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin’s disastrous sexual odyssey is brought vividly to life in this world stage premiere production.”Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety” (Guardian)

Price : £ 9.99

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No synopsis provided

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Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms. L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture. A volume in the series Contemporary Film Directors, edited byJames Naremore

Price : £ 14.99

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Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms. L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture. A volume in the series Contemporary Film Directors, edited byJames Naremore

Price : £ 14.99

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Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970’s suspense thriller The Bird with the Crystal Plumage to 2009’s Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. L. Andrew Cooper uses controversies and theories about the films’ reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento’s oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock.He reveals how the director’s stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema’s visual, narrative, and political norms. L. Andrew Cooper is an assistant professor of film and digital media at the University of Louisville and the author of Gothic Realities: The Impact of Horror Fiction on Modern Culture. A volume in the series Contemporary Film Directors, edited byJames Naremore

Price : £ 14.99

Read more…