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Charge your handset while on the move, simply plug into your cigarette lighter and away you go. Chargers all iPhones and iPods except Ipod Shuffle (New Version)

• CE And RoHS APPROVED
• Convenient way to charge your iPhone 3Gs, iPhone 3G, iPhone 4, iPod All Generations, iPod Touch, iPod Nano
• Black Colour
• 12/14 Volt
• 12 Month Warranty

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Irritating. Annoying. Infuriating. Sat Nag – the in-car nagging system. A spoof sat-nav unit with lenticular screen. Push the button to hear one of 25 highly irritating comments. For example: ‘In 100 metres, I’m going to ask you to move into the slow lane so I can fix my make up.’ ‘In 50 metres, if you fart again, I’m going to get out of this car and catch a bus.’ ‘You have reached your destination. You may now throttle your passenger.’ ‘I know you’re a man, but it’s been 45 minutes now. Can you please admit we’re lost and ask someone the way?’

• Misst in etwa 10 cm x 8 cm x 1.7 cm
• Macht sich toll als Geburtstags- oder Weihnachtsgeschenk oder im Stiefel vom Nikolaus

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Complete Lighting Set
Ex-Pro designed for smaller product shot’s our soft box range is an open fronted system allowing clear photography from the included mini tripod stand. Very quick to setup and close away, folding neatly into an exclusive carry case which can also carry the tripod and one set of our Mini Lights if required. Package includes. Fold out Light Soft Box using photographic Nylon and steel frame structure. 2 x Lamps. 4 x Colour base backgrounds. Camera mini Tripod stand. Fold away carry case.

In response to the ever changing photographic market and DIY photographic requirements for site/business owners Ex-Pro Lighting kits offer excellent quality and added value for money.

• 100% pure white nylon fabric and stainless steel frame photographic light tent.
• Designed for smaller product shot’s our soft box range is an open fronted system allowing clear photography from the included mini tripod stand. Very quick to setup and close away, folding neatly into an exclusive carry case which can also carry the tripod and one set of our Mini Lights if required.
• Includes 2 x Lights with fold away stands. UK Specification. 240v GU10C Daylight effect. Note:- Not continuous running, if hot, allow 30min break depending on light kit. [Alternative LED bulbs are available if required for continuous running – Ex-Pro LED GU10C]
• Package includes. Fold out Light Soft Box using photographic Nylon and steel frame structure. 2 x Lamps. 4 x Colour base backgrounds. Camera mini Tripod stand. Fold away carry case.
• 1 Year Ex-Pro Warranty

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You know you’re going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics’ longstanding series, Iron Man puts billionaire industrialist Tony Stark (that’s Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quite hits that precise rhythm again, it nevertheless offers plenty of pleasure, as the renewed Stark swears off his past as a weapons manufacturer, develops his new Iron Man suit, and puzzles both his business partner (Jeff Bridges in great form) and executive assistant (Gwyneth Paltrow). Director Jon Favreau geeks out in fun ways with the hardware, but never lets it overpower the movie, and there’s always a goofy one-liner or a slapstick pratfall around to break the tension. As for Downey, he doesn’t get to jitterbug around too much in his improv way, but he brings enough of his unpredictable personality to keep the thing fresh. And listen up, hardcore Marvel mavens: even if you know the Stan Lee cameo is coming, you won’t be able to guess it until it’s on the screen. It all builds to a splendid final scene, with a concluding line delivery by Downey that just feels absolutely right. –Robert Horton

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The Maltese Falcon is still the tightest, sharpest, and most cynical of Hollywood’s official deathless classics, bracingly tough even by post-Tarantino standards. Humphrey Bogart is Dashiell Hammett’s definitive private eye, Sam Spade, struggling to keep his hard-boiled cool as the double-crosses pile up around his ankles. The plot, which dances all around the stolen Middle Eastern statuette of the title, is too baroque to try to follow, and it doesn’t make a bit of difference. The dialogue, much of it lifted straight from Hammett, is delivered with whip-crack speed and sneering ferocity, as Bogie faces off against Peter Lorre and Sidney Greenstreet, fends off the duplicitous advances of Mary Astor, and roughs up a cringing “gunsel” played by Elisha Cook Jr. It’s an action movie of sorts, at least by implication: the characters always seem keyed up, right on the verge of erupting into violence. This is a turning-point picture in several respects: John Huston (The African Queen) made his directorial debut here in 1941, and Bogart, who had mostly played bad guys, was a last-minute substitution for George Raft, who must have been kicking himself for years afterward. This is the role that made Bogart a star and established his trend-setting (and still influential) antihero persona. –David Chute END

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