Camera case made from durable nylon fabric – fully padded to protect your equipment. Sturdy construction with moveable interior, zipped pockets, carrying handle and strap. Stylish two-tone silver/grey colour.

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HD Zone presenting a new generation 1.4a Version Pro Gold RED HDMI Cable to support Latest 3D Technoly. This is a great new HDMI cable with 1.4a version which has a Ethernet technology built-in,This cable is also backward supported with 1.3,1.3b and 1.3c versions. It has High Speed with Ethernet,Audio Ruturn Channel.It is Useful for HDMI 1.4/1.3c/1.3b devices and Supports 3D Technology,The Nylon Protection layer protects from abration.High Purity Oxygen Free(99.99%) Copper Conductors help from any data loss and keeps high conductivity.Best Cable for 1080p also Supports 4K x 2K Video and more color spare. Suitable for 50Hz,100Hz,200Hz LCD/LED HD Tvs, and Upto 600Hz HD Plasma Tv’s along with DVD,Blu Ray Players HD Projectors. This is specially designed to help the gaming users, It will improve the picture quality on PS3 and XBOX 360. Try this new generation cable for High Quality Picture and Great Sound. HD Zone is offering 10 Year Warranty on all Cables So Enjoy Your Purchase…..

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LCD screens can easily be scratched and damaged, hindering the appearance and useability of your HTC Wildfire. This is even more of an issue with the increased popularity of touch screen phones With this simple to apply transparent screen guard protection film you can keep your screen in pristine condition for the life of your phone. The clarity of your screen is not impaired and you can put your phone in your pocket or bag without fear of it being scratched. High quality PET material means these screen guards don’t get impressions etched into them and they last for a very long time. High quality, low cost solution for maintaining your HTC Wildfire. Contains 6 screen protectors!

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Chris Morris’ Brass Eye is a brilliantly funny spoof on current affairs media that carries on where his previous The Day Today left off. The show ran for one single, contentious series in 1997, to be followed by an even more controversial one-off in 2001. While these episodes might cause offence to those not versed in Morris’ satirical methods, and while one occasionally suspects his work is informed by a dark seam of malice and loathing rather than a desire to educate, Brass Eye remains vital satire, magnificently hilarious and, in its own way, fiercely moral viewing.

Brass Eye satirises a media far too interested in generating dramatic heat and urgency for its own sake than in shedding light on serious issues. Morris mimics perfectly the house style of programmes such as Newsnight and Crimewatch, with their spurious props and love of gimmickry. Meanwhile his presenter–an uncanny composite of Jeremy Paxman, Michael Buerk and Richard Madeley among others–delivers absurd items about man-fighting weasels in the East End and Lear-esque lines such as “the twisted brain wrong of a one-off man mental” with preposterously solemn authority. Much as the media itself is wont to do, each programme works itself up into a ridiculous fever of moral panic. Most telling is the “drugs” episode, in which, as ever, real-life celebrities, including Jimmy Greaves and Sir Bernard Ingham, are persuaded to lend their name to a campaign against a new drug from Eastern Europe entitled Cake. The satirist’s aim here isn’t to trivialise concern about drugs but to point up the media’s lack of attention to content.

A response to the ill-conceived News of the World witch-hunt, in the wake of the Sarah Payne affair, the 2001 “paedophilia” special was the most supremely controversial of the series. It followed the usual formula–duping celebs such as Phil Collins into endorsing a campaign entitled “Nonce Sense”, urging parents to send their children to football stadiums for the night for their own safety and mooting the possibility of “roboplegic” paedophiles–and prompted the sort of hysterical and predictable Pavlovian response from the media that Brass Eye lampoons so tellingly.

On the DVD: Brass Eye on DVD includes brief outtakes, such as “David Jatt” interviewing celebrities about breeding hippos for domestic purposes, an hilarious exchange with Jeffrey Archer’s PA (“He’s a very wicked little man”) as well as trailers for the paedophilia special.–David Stubbs

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Ask Tesadüfleri Sever Reproduction Poster Print German Style A 11 x 17 Inches – 28cm x 44cm

Pop Culture Graphics, Inc is Amazon’s largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from.

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• 11 x 17 Inches – 28cm x 44cm
• Item is shipped from the United States. Expect delivery delays – Size is provided by the manufacturer and may not be exact
• Please enlarge the image in the listing before purchasing – The Amazon image in this listing is a digital scan of the poster that you will receive
• Ask Tesadüfleri Sever German Style A Poster
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More than half a century after its release in 1950, Sunset Boulevard is still the most pungently unflattering portrait of Hollywood ever committed to celluloid. Billy Wilder, unequalled at combining a literate, sulphurous script with taut direction, hits his target relentlessly. The humour–and the film is rich in this, Wilder’s most abundant commodity–is black indeed. Sunset Boulevard is viciously and endlessly clever. William Holden’s opportunistic scriptwriter Joe Gillis, whose sellout proves fatal, is from the top drawer of film noir. Gloria Swanson’s monstrously deluded Norma Desmond, the benchmark for washed-up divas, transcends parody. And her literal descent down the staircase to madness is one of the all-time great silver-screen moments.

Sunset Boulevard isn’t without pathos, most notably in Erich von Stroheim’s protective butler who wants only to shield his mistress from the stark truths that are massing against her. But its view of human beings at work in a ruthlessly cannibalistic industry is bleak indeed. Nobody, not even Nancy Olson’s sparkily ambitious writer Betty Schaefer, is untainted. And neither are we, “those wonderful people out there in the dark”. Norma might be ready for her close-up, but it’s really Hollywood that’s in the frame. No wonder Wilder incurred the charge of treachery from his peers. It’s cinematic perfection.

On the DVD: Sunset Boulevard lends itself effortlessly to a collector’s edition of this quality. The film itself is presented in full-frame aspect ratio from an excellent print and the quality of the mono soundtrack is faultless: the silver screen comes to life in your living room. The extras are superb, including a commentary from film historian Ed Sikov and a making-of documentary which includes the memories of Nancy Olson. Interactive features such as the Hollywood location map add to the fun. –Piers Ford

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